Sardine Restaurant Bali Prices

Seminyak Bali is renowned as one of the areas in Bali which has a variety of world-class restaurant with high quality flavors and stunning scenery. Located on Jalan Petitenget 21 Kerobokan, resto this one being one of the recommendations of the website's travel guides, Lonely Planet. As the name implies, this restaurant serving fish and seafood priority as their mainstay menu. The main raw material in this place is very fresh because it is the catch directly from the fishermen in the area of Jimbaran and well-grown organic vegetables. Rows of seafood menu such as Pan Seared Wild Snapper, Papua Crab Tower, Kumamoto Oysters On The Half Shell and Barramundi Steamed in Banana Leaf, ready to fill the void in the midst of rice fields stomach that is the central feature of this place.

Additionally, Sardine Restaurants also provides a menu of Balinese as Babi Guling served with organic rice, ferns and beans are spicy as complementary. For the tasting menu this one should spend Rp. 130,000. Or it could also dicipi non-seafood menu such as Blackened Mahi Mahi, smoked chicken with black tea and many other exotic options.

Resto which became the talk of the tourists in Bali was founded by a French businessman, Pascal Chevillot and also interior designer from Slovenia, Pika. If you look around this restaurant it is obvious bamboo become a key element in the interior of the building to produce a thick atmosphere of rural Bali. If you are interested to visit this place, Sardine Restaurants open starting at 11:30 to 1:00 and closed on Mondays. For matters of price, Sardine Restaurants Bali prices ranging from Rp. 50,000 to Rp. 200,000, a reasonable price to redeem presented scenic beauty of this place

Majapahit Empire History

The establishment of the Majapahit empire history begins in the event of an attack Jayakatwang, Raden Wijaya charge facing the north, it turns out a larger attack it launched from the south. So when Raden Wijaya returned to the palace, he saw the Royal Palace Singasari nearly engulfed in flames and heard Kertanegara been killed along with other dignitaries. Finally, he fled with the remnants of his army were still loyal and helped villagers Kugagu. Having felt safe he went to ask for protection from Aryawiraraja Madura. With her help he succeeded to the throne, the area presented to Raden Wijaya attractiveness as a regional power. When it comes to Java Mongol army led Shih-Pi, Ike-mise, and you Hsing with the aim of punishing Kertanegara, then Raden Wijaya exploit the situation to cooperate attack Jayakatwang. After Jayakatwang killed, the Mongols partying to celebrate the victor. The opportunity was also used by Raden Wijaya to turn against the Mongols, so that the Mongols were expelled from Java and return to his country. Then in 1293, Raden Wijaya ascended the throne and the title of Sri Kertajasa Jayawardhana.

Majapahit Empire

Kings in Majapahit Empire History

Kertajasa Jawardhana (1293 - 1309)
Is the founder of the Majapahit kingdom, during his reign, Raden Wijaya assisted by those who have all contributed to pioneer the establishment of the kingdom of Majapahit, Aryawiraraja very great merit was given dominion over the East covers an area Lumajang, Blambangan. Raden Wijaya ruled by a very kind and thoughtful. The composition of the government was not different from the composition of the Kingdom of Singasari.

King Jayanegara (1309-1328)
In the Majapahit empire history, Kala Gemet succeeded his father to the throne with the title of Sri Jayanegara. In pemerintahannnya period marked by revolts. For example, in 1231 saka Ranggalawe uprising, rebellion Ox Sora 1233 saka, saka 1235 uprising Demung Savior, Blue Elephant 1236 saka rebellion, uprising Nambi, Lasem, Semi, Kuti with Bandaderga events. Rebellion Kuti is a dangerous rebellion, almost breaking down the kingdom of Majapahit. But it can be overcome. Jayanegara king himself was killed by his doctors called Tanca. Tanca eventually killed anyway by Gajah Mada.

Tribuwana Tunggadewi (1328 - 1350)
Jayanegara king died without leaving a putrapun, therefore it is supposed to be a king is Gayatri, but because he had become a monk then replaced by his daughter Bhre Kahuripan with Tunggadewi Tribuwana title, assisted by her husband, Kartawardhana. In the year 1331 raised a mutiny by Sadeng area and Keta (Besuki). The uprising was crushed by Gajah Mada who at the time was Patih Daha. For his services Gajah Mada is appointed as the Majapahit Empire Mahapatih replace Pu Dragon. Gajah Mada then tries to show his loyalty, he aspires to unite the archipelago, assisted by MPU Nala and Adityawarman. In 1339, Gajah Mada swore not eat Palapa before archipelago united. Oath is known Palapa Oath, while the contents of amukti palapa is as follows: "Seagrass luwas lost archipelago isum amakti palapa, seagrass Desert lost ring, ring Seram, Sunda ring, ring Palembang, ring Tumasik, samana sun amukti palapa". Then Gajah Mada do conquests.

Hayam Wuruk
In the Majapahit empire history, Hayam Wuruk ascended the throne at a very young age is 16 years old and holds Rajasanegara. In the reign of Hayam Wuruk, accompanied by Mahapatih Gajah Mada, Majapahit reached its golden. From the Book Negerakertagama can be seen that the area of power during the reign of Hayam Wuruk, almost coextensive with the Indonesian region now, even the influence of the Majapahit kingdom to countries tettangga. The only area that is not subject to the powers of Sundanese kingdom of Majapahit was then under the rule of King Siliwangi. Hayam Wuruk intend to take Sunda daughter to be queen. After the daughter of Sunda (Diah Pitaloka) and his father King Siliwangi along the Sunda authorities are in Bubat, Gajah Mada deceit, Gajah Mada did not want the marriage to the daughter of the Sunda Hayam Wuruk carried away. He wants the daughter Sunda dedicated to Majapahit (as a tribute). Then there was disagreement and finally Bubat war. Many casualties on both sides, Sri Baduga fall, Sunda daughter suicide.

Gajah Mada died in 1364, the Majapahit Empire lost a mahapatih second to none. To select a successor is not an easy job. Saptaprabu Council which has several times held a hearing to choose a replacement Gajah Mada finally decided that Patih Hamungkubhumi Gajah Mada will not be changed "to fill in the gaps in the implementation of government appointed Tandi sebagais Wridhamantri MPU, MPU Nala as Amancanegara minister and governor dami as Yuamentri. King Hayam Wuruk died in 1389.

Wikramawardhana
Kusumawardhani crown princess who ascended the throne of his father's place Wikramawardhana married. In practice Wikramawardhanalah who run the government. While Bhre Wirabhumi Hayam Wuruk children of concubines, because Bhre Wirabhumi (Princess Hayam Wuruk) of concubines he shall not have the right to occupy the throne yet it is still given the power to govern in the Eastern Majapahit, which Blambangan area. Power struggle between Wikramawardhana with Bhre Wirabhumi called Paregreg war.

Wikramawardhana died in 1429, later kings reign row is Suhita, Kertawijaya, Rajasa Ward, Purwawisesa and Brawijaya V, which does not escape marked the struggle for power.

History of "Reog Ponorogo Dance East Java"

Reog Ponorogo dance (east java) history derived from folklore. There are five versions of the story developed, but the most famous is the story of the rebellion of Ki Ageng lice. Told that Ki Ageng lice which is a royal servant Kertabumi Bhre during the 15th century. He did rebellion because anger will reign king corrupt and powerful affected the wife of the king of Majapahit who came from china. He then left the king and establish martial college. However, aware that his army was too small to fight the royal troops, then he made a show of art Reog which is an allusion to the king and his kingdom Kertabumi.

Reog Ponorogo Dance

In Reog Ponorogo performances shown mask shaped head of a lion, known as the "lion barong", king of the jungle, which became a symbol for Kertabhumi, and above plugged peacock feathers to resemble a giant fan that symbolizes the strong influence of his Chinese colleagues who manage the over all movement geriknya. Jatilan, played by a group of dancers gemblak riding piggyback become a symbol of the power of the kingdom of Majapahit troops into the strength Warok contrast ratio, which is behind the mask of red clown who became a symbol for Ki Ageng lice, alone and carry the weight of the mask Singabarong which reaches more of 50 kg only by using his teeth.

Reog Ponorogo popularity Ki Ageng lice eventually cause Bhre Kertabhumi take action and attack perguruannya, rebellion by Warok quickly resolved, and universities will be forbidden to continue teaching Warok. However, students still continue Ki Ageng ticks quietly. However, art Reognya itself is still allowed to be staged since the show has become popular among the public, but the story has a new groove in which the added characters from folklore that Kelono Sewandono Ponorogo, Goddess Songgolangit, and Sri Genthayu.

The official version Reog Ponorogo storyline now is the story of King Ponorogo who intend applying daughter Kediri, Dewi Ragin Yellow, but on the way he was intercepted by King Singabarong of Kediri. King Singabarong forces consisted of peacocks and lions, while the King of the Kingdom of Ponorogo Kelono and Deputy Bujang Anom, escorted by Warok (men dressed in black in the dance), and this Warok have deadly black magic. The whole dance is a dance battle between Kediri Kingdom and the Kingdom of Ponorogo, and pitted black magic between them, the dancers in the "possessed" when performed dances.

Traditional Dance from Yogyakarta : Serimpi

Serimpi dance is a classical dance from Yogyakarta. This dance is performed by four female dancers are beautiful and graceful. Serimpi word itself means four. But there are also Serimpi danced by five dancers are on Serimpi Renggowati. In addition to means of four, the term serimpi also associated with the word 'IMPI' which means dream. That is, someone who saw this dance will probably feel like being in a dream.

Serimpi dance performances usually last for ¾ hour to 1 hour. The composition of the four dancers representing the four cardinal points and the four elements of the world. Elements of the world include grama (fire), wind (air), Toya (water), and earth (ground). Classical dance was originally developed only Kraton. According to belief, Serimpi is a noble art and the heritage palace. In this dance, the theme of which are served by the same real dancers with dance Bedhaya Sanga. This dance depicts a conflict between two things: between right and wrong, passion and reason, and right and wrong.

Serimpi dance performed by four daughters who each represent elements of life and the direction of the wind. In addition, these dancers also have the name of each role that Buncit, Dhada, Gulu, and Batak. Currently Serimpi dance, dancer composition form a rectangle. This form is not without significance, but symbolizes pole rectangular Hall.

The emergence of this dance is said to come from the kingdom of Mataram when the reign of Sultan Agung. This dance is considered very sacred because only done within the palace for a state ceremony and memorial sultan ascended the throne. In 1775, broke into two Mataram Sultanate of Surakarta and Yogyakarta Sultanate. It is also an impact on this dance. Although dance is still the same core, but Serimpi in Yogyakarta become Serimpi Dhempel, Genjung, and Babul screen. While in Surakarta be Serimpi Bondan and Anglir overcast. Although this dance has been around a long time, but the dance is only known by the public about the '70s because it was so close to divinity dance palace.

The theme of war in this dance is actually a philosophy of life of eastern culture. War in this dance is symbolic battle that never run out of between evil and good. Even in war dance movements express, dance is seen more clearly as two Pasanga soldiers against other soldiers with the same movement with the equipment dibandu dance form of weapon. Property dance used in them are jebeng, cundrik or small dagger, pistol, arrow and spear.

In terms of clothing, the clothing worn by the dancers also experienced growth from the previous. If initially the clothing worn like a palace princess wedding dress with a bun bowl as a headdress and dodotan, currently turned-dancer costume sleeveless clothing, fried bun with flower decoration, and cassowary feather headdress. Characteristics of Serimpi dancer is wearing a small dagger tucked in the front of the cross to the left.

In addition to a dagger, the dancers Serimpi also sometimes use a kind perisak jembreng. During the reign of Sri Sultan HB VII is the 19th century, there is also the tool Dance Serimpi fired a gun battle in the form below. This dance accompaniment patterns using gising sabrangan for entry and exit of the dancers accompanied by the sound of drums and brass. At the time of dancing with ageng or mid-piece is then entered gising ladrang. Furthermore, crane fly and srebengannya diguanakn to accompany the battle scene.

Q&A Traditional Dance from Yogyakarta : Serimpi

Is serimpi dance a traditional dance?

Answer: Yes, serimpi dance is a traditional dance.

What are the characteristics of serimpi dance?

Answer: The graceful and delicate movements of the dancers, along with their traditional Javanese attire and the accompanying gamelan music, are the hallmarks of serimpi dance.

What is the name of the traditional dance from Yogyakarta?

Answer: The traditional dance from Yogyakarta is called serimpi dance.

What are the movements of serimpi dance from Yogyakarta?

Answer: The movements of serimpi dance from Yogyakarta are slow, graceful, and delicate, with intricate hand gestures and footwork.

Where does serimpi dance originate from?

Answer: Serimpi dance originates from the royal courts of Yogyakarta and Surakarta in Central Java, Indonesia.

Where did serimpi dance come from?

Answer: Serimpi dance came from the royal courts of Yogyakarta and Surakarta in Central Java, Indonesia.

What is the story told by serimpi dance?

Answer: Serimpi dance typically tells stories of courtship and romance, as well as themes of loyalty, devotion, and faithfulness.

Why is it called serimpi dance?

Answer: It is called serimpi dance because the word "serimpi" means "to arrange beautifully" in Javanese, which reflects the elegance and beauty of the dance.

What are the accompanying music for serimpi dance?

Answer: The accompanying music for serimpi dance is typically played by a gamelan ensemble, consisting of various traditional Javanese percussion instruments and occasionally other instruments such as flute or string instruments.

What are the musical instruments used in serimpi dance?

Answer: The musical instruments used in serimpi dance are the traditional Javanese percussion instruments of the gamelan ensemble, such as kendang, gong, and saron, along with occasionally used flute or string instruments.

How many dancers are there in serimpi dance?

Answer: Serimpi dance can be performed with a single dancer or a group of dancers, typically in odd numbers such as three, five, or seven.

What is the traditional art of Yogyakarta?

Answer: The traditional art of Yogyakarta is a combination of various forms of performing arts, such as music, dance, theater, and puppetry, that have been passed down from generations.

What is the famous traditional art from Yogyakarta?

Answer: The famous traditional art from Yogyakarta is the Wayang Kulit, a form of shadow puppetry that combines storytelling, music, and intricate puppetry techniques.

Does lawung dance come from Yogyakarta?

Answer: No, lawung dance does not come from Yogyakarta. It is a traditional dance from the island of Bali in Indonesia.

What are the types of movements in serimpi dance?

Answer: The types of movements in serimpi dance are slow, graceful, and delicate, with intricate hand gestures and footwork. The dancers often move in circular patterns and perform a variety of poses and movements that reflect the story being told through the dance.

What are some examples of traditional arts?

Answer: Some examples of traditional arts include music, dance, theater, puppetry, storytelling, weaving, and pottery-making, among others.

What is an example of a traditional art?

Answer: Wayang Kulit, a form of shadow puppetry from Yogyakarta, is an example of a traditional art in Indonesia.

What are some examples of traditional performing arts?

Answer: Some examples of traditional performing arts include dance, theater, puppetry, and storytelling, all of which are often accompanied by traditional music and other forms of artistic expression.

Local Culture in Pontianak : Tepung Tawar

The traditional ceremony  "Tepung Tawar" (Fresh Flour) is a local culture in Pontianak, West Kalimantan. "Tepung Tawar" traditional ceremony has now become a necessity, becoming a trend these moderns era, of course, we glanced at the back of the existence of this "Tepung Tawar" traditional ceremony which in antiquity as it becomes a necessity for the people who carry out a ritual ceremonies both in the home life stairs and ceremonies for the community at large. "Tepung Tawar" traditional ceremony performed by the public generally stout Malay and Dayak but the Malay community plain flour ceremony known in general there are four types namely Fresh Wheat Board, Mayit "Tepung Tawar", Wheat "Tepung Tawar"water Freshwater Equipment and Home. Of the four types of the "Tepung Tawar" each having a difference whether relating to equipment and materials used. As "Tepung Tawar" Board is composed of rice flour, yellow rice, berteh-fighting fighting leaves, willow leaves, leaves a girlfriend, as well as the smell of oil (miyak Bugis). Later the smell of oil smeared on certain body parts and for women simply do not need to touch the condition of the body (navel)

The tradition of plain flour body intended for small children carry hair clippers or swing ride (ride tojang), perform marriages, and that will dihitan for men and peremtuan. The object that will be given according to the procedure applicable, as well as using leaves dilampas fighting-fighting and leaves thousands and thousands who have been in the dip on a set of plain flour equipment. As for the parts sequentially imposed on the forehead, right shoulder, left shoulder, right hand, left hand, right leg, and left leg while alloy berteh dissipated on the left and the right. Ritual "Tepung Tawar" can not be done sermbarangan because it uses a special lafaz not be disclosed herein, it should be accepted prior to the experts.

Plain flour can also be done for the families who died after three days buried, generally performed as cleaning equipment used bath deceased, equipment stored outside the home in "Tepung Tawar" called Pesulli event (cleaning equipment deceased). Equipment in life such as motorcycle, car, boat, generally is mounted on the vehicle when new use and when the unfortunate. The goal is to ask for salvation with the assurance that there is still unseen forces that influence in life and still beg salvation to God Almighty.

Plain flour deceased with "Tepung Tawar" is not much different from the others only used oil smell and replaced with chicken eggs are placed in a vat of water bathing the deceased. The purpose of the ceremony known deceased plain flour with Pesilli that family members left behind is always patient receives a test from Allah. Can avoid disaster by pleading to be kept away from any disaster that comes with safety please, not just humans, and also equipment that has been used with a form of gratitude has been used as toiletries.

In rituals "Tepung Tawar" deceased equipment used dilampas with leaves in their thousands, and other equipment. The new equipment is clean should be brought into the house previously stored outside the home. The eggs are stored in vats and baths discarded immediately sprinkled with gray kitchen deceased as saying that in life all must die, and that has happened to be submissive like ashes back to the place of origin.

The ritual "Tepung Tawar" flour equipment like others, just do not use the smell of oil. Usually this is a fresh ditepung Drive new or vehicles that have received a disaster such as an accident or vehicle lost rediscovered. Public confidence with "Tepung Tawar" that vehicle, the vehicle used to bring salvation and also can bring disaster, because these vehicles use materials made of iron, it is called the old iron, that iron can bring good luck and fortune can bring harm. This belief is still attached dimasyarakt in general that the iron-containing supernatural powers (no penunggunya spirits that often follow an iron). So that belief can not be separated from the request that the powers that be can be a positive force can affect the life of the wearer. And ask for permission to keep it in safety. If this is not done with "Tepung Tawar" majority of public confidence will affect the soul, crashing or being hit by a vehicle could be stolen and even ordinary expressed by the words "Sueh". Lafaz mentioned prayer can not arbitrarily through certain procedures.

"Tepung Tawar" ceremony for infant children also performed with ritual with all the preparations are provided for family members who have a celebration. The equipment needs to be prepared and to complete must already exist when the event starts. The fixture tools include; Pounded rice mixed with pandan leaves and turmeric made tepung.Daun-leaf needed for tool "Tepung Tawar" is made of coconut leaves like flower footprint duck given stemmed called pentawar, the number two. Then the leaves are arranged with a number of more or less and twenty kinds tied then cut ends of the base so that the flat surface is called tetungkal the number three small buah.Nyiru made of bamboo or woven leather called layau also used for fanning the body called hood basket. Iron, wood current, former baker wood tied with a rope called them pengkeras. Tied yarn that played above their heads according hopefully it can be fastened his family into a strong and solid bond is like a thread that has been pounded itu.Tepung and stirred in a bamboo tube diameter measuring approximately twenty centimeters, setingginya eighteen inches and made of bamboo Betung use for storing flour that has been stirred, bamboo tube is called a landslide hood. Rice entered into bushels, betel, areca nut, tobacco, gambier, chalk, coins called pengkeras enough. Rice dyed with saffron yellow rice or rice called turmeric. Members who carry three people to tetungkalnya and two people to carry out pentawarnya, the number five.

How to implement this after a "Tepung Tawar" stirred flour, tetungkal and bidders are made of leaves and palm leaves were dipped in flour and then stamped on his forehead, left hand and right, center, left and right foot by reading the prophet invocation or prayer for salvation . After the completion ceremony of "Tepung Tawar" then proceed with the next baby is cutting hair. Invitations were present at the event was the closest family and neighbors.

Symbolic interactionism theory as proposed by Veeger is a portrait of the people are not using concepts such as systems, social structures, position status, social roles, social stratification, institutional structures, cultural patterns, norms and values social-value, but by using the term "action". As depicted ceremonial role will be a community adhesion, so that the ceremony will be more and more often done to strengthen the highly related to one another, so that it becomes a necessity and the interdependence and balance in life together.

The need to be preserved values ceremonial rituals, because in the ceremony terms with values in life, especially local knowledge, that man can not be separated from kehilapan and error, always begging for mercy and guidance to Allah, by continuing to implement the obligations in the life in the world, each other mutual support, respect the elderly, respect the environment both moving objects and objects that are not moving that these items have benefits for life and it is part of Allah's creatures who can not disembarangkan and also water and in order to be kept clean environment illustrated with "Tepung Tawar" water intended for jagan mutual suspicion and prejudice with others and have a clean heart. Always tighten siratul rahmi brothers around us subdued sense of solidarity in a variety of life, in order to reach shared desires to live in keteraman avoid mala disaster and stay away from the disaster in order to realize the aspirations of all human beings on this earth

Kecak Dance (Bali) History

Did you know about Kecak Dance from Bali History ?

Kecak dance is usually referred to as a "smack" or dance of fire (Fire Dance) is a dance show or entertainment and tends mass as the art of ballet drama and dance as an art entirely describe the role of "The play puppet" like Rama Sita and not specifically used in Hindu religious rituals like worship, temple ceremony and other ceremonies.

Form - the form of "Sacred" in the Kecak dance is usually indicated in kerauhan or masolah that magically immune to not burned by fire.

Kecak Dance from Bali

Uniqueness
Unlike other Balinese dance using the gamelan as a musical accompaniment, but in this Kecak dance performance only combines the art of sound - the sound of the mouth or cries - cries like "cak cak cak cak to all" so that this dance called Kecak dance.

Kecak dance can be found in several places in Bali, but that in Uluwatu is the most interesting to watch because of its attractions along with the sunset or sunset.

Kecak Dance was created in the 1930s by Wayan modulus in collaboration with the German painter Walter Spies based on tradition Trance and parts of the Ramayana story. Wayan modulus at popularizing this dance around the world with his troupe of Balinese dancers.

In addition to the story of Ramayana, there are some titles and themes Kecak are often staged as:
- Vali and Sugriva Kecak, created in 1976.
- Kecak Dewaruci, created in 1982.
Both were the work of Mr. I Wayan Dibia.

Saman Dance Lyric

Saman dance usually displayed not using accompaniment of musical instruments, but using sound of the dancers and their applause that usually combined with chest and groin hit them as synchronization and threw the body into different directions. This dance is guided by a leader who is usually called the sheikh. Because of the uniformity of formation and punctuality is a must in this dance show, the dancers are required to have a high concentration and serious training in order to perform perfectly. This particular dance is danced by men.

Saman Dance

The Saman dance lyric that used to accompany the saman dance is as follows

Hey jala....
Heeeey.......

Ratu madodah...
Assalamualaikum, kame ucapkan, para undangan, yang katreteka, karena
salam, Nabi kunsunan, jarota mumat, tanda mulia

Mulia waroh, ranung konengan, mulia rakan, lame suara, karena salam, Nabi
kunsunan, jarota mumat, tanda mulia

Hai Jala, tu mile la mile,

Jala tu la jala, tu mile la mile hey jala tun
Lamburat, menari leum ateuh,
Ronggunong lahombak, cabong bungo lum ane ane lengkuak

Kutiding Lahang Dingham,

kutiding lahang dingham, la hembot, bot la tiding, la hembot, bot la tiding
Hayna pute pute, hayna pute pute, la pute, si bungong pute la pute, si bungong pute,
Haylen laba binte, haylen laba binte la binte ke ayo mate la binte, ke ayo mate

Mile, Mile Layha, Aiwa laha e hala

Hai mile, mile lahe, Aiwa laha o hele
Mengetam tage, kutu kutu keje, mangen kebahlen, jarum kuase

Mengingat kelam, berkaing kaing, kute lagi musim, jarum kuase

Hai mile mile halaha, walaha e hala,
Mile mile halahe, walahe o hele
Tapula pula bumbang, magadon gadong adang,
haylen laba binte, ke ayo ayo mate
Ala mile ala aha, walaha e hala
Ala mile ala ahe, walahe o hele

Hayla Hotsa,

ila lahumbakmeu, ahlun kapaydi, etre lama bure, bure hay bacute
Salah lahmun konsa, lahlun salahmu, lahpen awaydi, gatra lam perahu
Layar labu kau, sabang kapatang, tiang kamengku, alahal manyone,
Hose ladingone, saying wahai e, cut bangke mayang mayang sendang hayla hotsa

Ratu madodah....

Hey jala.... Heeeey.......