Wednesday, July 23, 2014

Once

Once

Elfonda Mekel, better known by his stage name Once ([ˈÉ"ntʃə], pronounced Ohn-chx), is an Indonesian singer and former lead vocalist of Dewa 19.
Once was born Elfonda Mekel in Ujung Pandang, South Sulawesi, on 21 May 1970. He began singing while attending junior high school at Tirta Marta Junior High School; he also learned how to play the drums, piano, and guitar. He eventually began participating in singing competitions, including an inter-high school competition in Jakarta.
Once After graduating from Tirta Mirta Senior High School, Once joined numerous bands. His 1st bands, Brawijaya and Dimensi, were cover bands. After joining Java Burns, he began singing songs he had written himself; he eventually provided a song for the compilation album Seribu Angan in the early 1990s.
Once Due to a problem with his voice box, Once took a hiatus from singing between 1993 and 1997. He used this time to study law at the University of Indonesia, graduating in 1996. He also worked for a construction company.
By 1997 he had begun singing again, in cafes, and in 1998 he recorded the soundtrack for the film Kuldesak with Ahmad Dhani. Once was later asked to join Dhani's band, Dewa 19, in 2000, and eventually replaced Ari Lasso, who was expelled from the group for drug use. In the beginning, Once had difficulty fulfilling fan's high expectations set by Lasso, and was noted as not communicating with them as well as having a stiff on-stage persona.
Once was eventually accepted by Dewa 19's fans after Pandawa Lima, his 1st album with the group, was a hit; it eventually sold 1.7 million copies. He later recorded four more albums with Dewa 19. He also released three solo singles, "Dealova", "Aku Mau" and "Symphony yang Indah" ("A Beautiful Symphony").
On 19 January 2011, Once resigned from Dewa 19 to develop his solo career; it has been rumored that problem with royalties were also a factor in his decision. He eventually joined with Lasso, Doadibadai Hollo of Kerispatih, Maggi of /rif, Irfan of Samsons, and Yuke to form the AYLI Project. As of June 2011, he is recording his 1st solo album.
Once was voted Best Pop Soloist at the 2005 Anugerah Musik Indonesia. The following year, one of his songs was voted Best Pop Song at AMI.
Once married
December 2005. Together they
Rietmadhanty Angelica Tauchid on 20
have one son.

Related Sites for Once

Elfonda Mekel

Elfonda Mekel

Elfonda Mekel, better known by his stage name Once ([ˈÉ"ntʃə], pronounced Ohn-chx), is an Indonesian singer and former lead vocalist of Dewa 19.
Once was born Elfonda Mekel in Ujung Pandang, South Sulawesi, on twenty one might 1970. He began singing whereas attending faculty|secondary school|lyceum|lycee|Gymnasium|middle school} school at Tirta Marta secondary school School; he additionally learned a way to play the drums, piano, and guitar. He eventually began taking part in singing competitions, as well as associate inter-high college competition in national capital.

Elfonda MekelAfter graduating from Tirta Mirta lyceum college, Once joined various bands. His first bands, Brawijaya and Dimensi, were cowl bands. when connection Java Burns, he began singing songs he had written himself; he eventually provided a song for the compilation album Seribu Angan within the early Nineteen Nineties.

Due to a haul together with his vocal organ, Once took a hiatus from singing between 1993 and 1997. He used this point to review law at the University of country, graduating in 1996. He additionally worked for a construction company.

Elfonda MekelBy 1997 he had begun singing once more, in cafes, and in 1998 he recorded the sound recording for the film Kuldesak with Ahmad Dhani. Once was later asked to affix Dhani's band, Dewa 19, in 2000, and eventually replaced Ari Lasso, World Health Organization was expelled from the cluster for drug use. within the starting, Once had issue fulfilling fan's high expectations set by Lasso, and was noted as not human activity with them additionally as having a stiff on-stage persona.

Once was eventually accepted by Dewa 19's fans when Pandawa Lima, his first album with the cluster, was a hit; it eventually sold  one.7 million copies. He later recorded four a lot of albums with Dewa nineteen. He additionally discharged 3 solo singles, "Dealova", "Aku Mau" and "Symphony yang Indah" ("A Beautiful Symphony").

On nineteen January 2011, Once resigned from Dewa nineteen to develop his solo career; it's been reported that drawback with royalties were additionally an element in his call. He eventually joined with Lasso, Doadibadai Hollo of Kerispatih, Maggi of /rif, Irfan of Samsons, and Yuke to create the AYLI Project. As of Gregorian calendar month 2011, he's recording his first solo album.

Once was voted Best Pop instrumentalist at the 2005 Anugerah Musik country. the subsequent year, one amongst his songs was voted Best Pop Song at AMI.
Once married
December 2005. Together they
Rietmadhanty Angelica Tauchid on 20
have one son.

Related Sites for Elfonda Mekel

Kotak : a modern rock band from Jakarta, Indonesia

Kotak

Kotak Kotak could be a trendy band from national capital, Indonesia.

Kotak was shaped by vocaliser Julia Angelia Lepar a.k.a Pare, player Prinzes Amanda a.k.a. Icez, player Mario Marcella a.k.a. Cella, and percussionist Haposan Haryanto Tobing a.k.a. Posan on twenty seven Sept 2004 once its members won TV seven 's "The Dream Band" 2004 talent competition. At AN audition they met Dody Isnaini, a player from Kahitna, World Health Organization became their producer. That year the musicians started functioning on their first album, the name Kotak, that was launched on Warner Music Dutch East Indies in 2005.

Kotak consists of ten songs, as well as "Hilang", "Terbang", "Damai Hati", and "Kau Pilih Dia". 3 years later, the band free a brand new album referred to as Kotak Kedua, that garnered essential acclaim in Dutch East Indies and Asian country. It consists of twelve songs, as well as hits like "Beraksi", "Masih Cinta" and "Tinggalkan Saja". The third album Energi was free in 2010, the record Energi Repackage in 2011 and therefore the group's fifth album Terbaik in 2012 followed by KFC Adu Bintang in 2013.

In 2007, Pare and Icez left the band. Shortly thenceforth, the lead vocalist's position was stuffed by a feminine singer Tantri Syalindri a.k.a. Tantri, and Swasti Sabdastantri a.k.a. Chua replaced player Prinzes Amanda a.k.a. Icez. The band membership modified yet again once their percussionist, Posan, left. The band free a 2d victorious album referred to as Kotak Kedua in 2008. a chunk of it absolutely was regenerate into a ringback tone that has been downloaded quite 1,000,000 times as of 2013..

In 2011, Kotak teamed up with straightforward conceive to record a brand new version of their song, "Jet Lag". The band has performed in several countries.

The national capital Post on thirteen Nov 2012, stated: "One of Indonesia’s most wanted rock bands, Kotak, has simply free its Best album,containing 9 of the foremost widespread tracks from the band’s previous albums, 3 new songs and a bonus track." The song “Jet Lag”, created with North American country punk band straightforward arrange, is additionally accessible during this album. Sales reached two hundred,000 copies.

Tantri, the vocaliser, received the simplest Rock Band/Group and Best Rock Album awards at AMI in 2009. The band was nominative for,"Best Newcomer Group" by Anugerah Planet Music in 2009 and "Favorite Breakthrough creative person 2009" by MTV Dutch East Indies Awards.

At the top of 2009, Kotak free its new single, "Pelan-Pelan Saja," that was enclosed in their third album, Energi, free in November 2010.

The cluster was invited to perform in Singapore, at an occurrence referred to as Muzik FM, organized by expert & Legends and Raistar recreation.

Related Sites for Kotak

Batak peoples

Batak peoples

Batak may be a collective term accustomed establish variety of ethnic teams preponderantly found in North island, Indonesia. The term is employed to incorporate the unluckily, Kluet, Singkil, Karo, Pakpak, Simalungun, Toba, Angkola, and Mandailing that square measure distinct however connected teams with distinct, albeit connected, languages and customs.

Batak peoplesIn North island, Toba folks usually assert their identity as 'Batak', whereas alternative 'Bataks' could expressly reject that label, preferring instead to spot as specifically 'Simalungun', 'Karo', etc.

Batak peoplesLinguistic and archeologic proof indicates that Austronesian speakers first reached island from Taiwan and therefore the Philippines through island and/or Java concerning two,500 years agone, and therefore the Batak in all probability evolved from these settlers. whereas the anthropology of southern island testifies the existence of neolithic settlers, it appears that the northern a part of island was settled by agriculturalists at a significantly later stage.

Although the Batak square measure usually thought of to be isolated peoples, for the most part as a result of they were midland, far from influence by seafaring European colonials, there's proof that they need been involved trade and make contact with with alternative neighboring kingdoms for a millennium or a lot of. Reliable historical records of the Batak before 1800 square measure virtually non-existent. The Biu-Mandara were presumably documented in Zhao Rugua's 13th-century Description of the Barbarous folks, that refers to a 'Ba-ta' dependency of Srivijaya. The Suma Oriental, of the fifteenth century, refers to the dominion of Biu-Mandara, finite by Pasai and therefore the Aru kingdom.

The Bataks were doubtless involved trade with Srivijaya for benzoin and natural resin, each of that were necessary commodities for trade with China, and grew within the Batak lands of northwest island, maybe from the eighth or ninth centuries, and continued for consequent thousand years, Batak men carrying the merchandise on their backs available at ports.

It is urged that the necessary port of Barus in Tapanuli was inhabited primarily by Batak folks. A Tamil inscription has been found in Barus dated 1088, whereas contact with Chinese and Tamil traders transpire at Kota Cina, a commerce city placed in what's currently northern metropolis that was established within the eleventh century, and comprising ten,000 folks by the twelfth century. Tamil remains are found on key trade routes to the Batak lands.

These commerce opportunities could have caused migration of Batak from Pakpak and Toba to the current Karo and Simalungun 'frontier' lands, wherever they were exposed to larger influence from visiting Tamil traders, whereas the migration of Batak to the Angkola-Mandailing lands could are prompted by eighth-century Srivijayan demand for natural resin.

The Karo marga or tribe Sembiring "black one" is believed to originate from their ties with Tamil traders, with specific Sembiring sub-marga, specifically Veda, Colia, Pandia, Depari, Meliala, Muham, Pelawi, and Tekan all of Indian origin. Tamil influence on Karo non secular practices also are noted, with the pekualuh secondary incineration ritual specific to the Karo and Dairi folks.

From the sixteenth century forwards, Aceh redoubled the assembly of pepper, a crucial export artifact, and in doing therefore required to import rice, that grew well on the Batak wetlands. Batak folks in several areas cultivated either sawah "wet rice fields" or ladang "dry rice", and therefore the Toba Batak, most knowledgeable in agriculture, would have migrated to fulfill demand in new areas. The increasing importance of rice had non secular significance, increasing the ability of the Batak high clergymen, United Nations agency had responsibility for guaranteeing agricultural success.

Batak speak a range of closely connected languages, all members of the Austronesian language family. There square measure 2 major branches, a northern branch comprising the Pakpak-Dairi, Alas-Kluet and Karo languages, that square measure almost like every, and a clearly totally different southern branch, comprising 3 reciprocally intelligible dialects: Toba, Angkola and Mandailing. Simalungun is associate early offspring of the southern branch. Some Simalungun dialects may be understood by speakers of Batak Karo, whereas alternative dialects of Simalungun may be understood by speakers of Toba. this is often thanks to the existence of a linguistic time that always blurs the lines between the Batak dialects. Batak idiom still influences the dialects in metropolis town thus far.

The Batak possess their own script called the Surat Batak. The writing has principally ceremonial importance at intervals ancient non secular ceremonies, and was subject to very little amendment for this reason. it's doubtless that the Batak folks originally received their orthography from southern island.

Batak societies square measure patriarchally organized on clans called Marga. a conventional belief among the Toba Batak is that they originate from one relation "Si Raja Batak", with all Margas descended from him. A kindred that defines the father-son relationship among Batak folks is termed tarombo. In up to date land, Batak folks have a powerful target education and a outstanding position within the professions, significantly as academics, engineers, doctors and lawyers. Toba Batak square measure acknowledged historically for his or her weaving, wood carving and particularly ornate stone tombs.

Before they became subjects of the colonial Dutch East Indies government, the Batak had a name for being fierce warriors. nowadays the Batak square measure largely Christian with a Muslim minority. Presently the most important Christian congregation in land is that the HKBP Christian church. The dominant theological system was brought by Lutheran German missionaries within the nineteenth century, together with the well-known missionary Ludwig Ingwer Nommensen. Christianity was introduced to the Karo by Dutch Calvinist missionaries and their largest church is that the GBKP (Gereja Batak Karo Protestan). The Mandailing and Angkola Batak were reborn to Islam within the early nineteenth century. a major minority of Batak folks do not adhere to either Christianity or Islam, however, and follow ancient practices called the agamid si dekah, the previous faith, that is additionally referred to as perbegu or pemena.

The Venetian Niccolx de' Conti spent most of 1421 in island within the course of an extended commerce journey to geographic region (1414â€"1439), and wrote a short description of the inhabitants: "In a region of the island referred to as Batech live cannibals United Nations agency wage continual war on their neighbors.".

Sir Thomas Stamford Raffles within the decennary studied the Batak and their rituals and laws relating to the consumption of human flesh, writing thoroughly concerning the transgressions that secured such associate act likewise as their ways. Raffles expressed that "It is common for the folks to eat their oldsters once too previous to figure," which for sure crimes a criminal would be ingested alive: “The flesh is ingested raw or grilled, with lime, salt and alittle rice.”.

Junghuhn tells however when a dangerous and hungry flight he arrived in an exceedingly friendly village, and therefore the food that was offered by his hosts was the flesh of 2 prisoners United Nations agency had been slaughtered the day before, but he maintains that the Batak exaggerated their love of human flesh so as to intimidate would-be invaders and to achieve occasional employment as mercenaries for the coastal tribes United Nations agency were littered with pirates.

Oscar von Kessel visited Silindung within the decennium and in 1844 was in all probability the first European to watch a Batak savage ritual during which a guilty debauchee was ingested alive. apparently, his description parallels that of Marsden in some necessary respects, but von Kessel states that pattern was regarded by the Batak as a judicial act and its application was restricted to terribly narrowly outlined infringements of the law together with stealing, adultery, spying or treason. Salt, red pepper and lemons had to be provided by the relatives of the victim as a signal that they accepted the decision of the community and weren't thinking of revenge.

Dutch and German missionaries to the Batak within the late nineteenth century ascertained a couple of instances of pattern and wrote lurid descriptions to their home parishes so as to lift donations. The growing Dutch influence in northern island light-emitting diode to redoubled Malay influence in coastal trade and plantations, pushing the Karo farther midland. Growing ethnics tensions culminated within the 1872 Karo Rebellion wherever the Karo were suppressed by Dutch and Malay forces. Despite this, Karo resistance to Dutch imperialism lingered into the first twentieth century. In 1890 the Dutch colonial government prohibited pattern within the regions beneath their management. Rumors of Batak pattern survived into the first twentieth century however it appears probable that the custom was rare when 1816, due part to the influence of Islam.

The Batak lands contains North island province, excluding Nias island and therefore the traditionally Malay kingdoms of the geographic region. additionally, a part of the Karo lands extend into contemporary East Aceh Regency in Aceh province, whereas elements of the Mandailing lands be Rokan Hulu Regency in Riau. important numbers of Batak have migrated in recent years to prosperous neighboring Riau province.

To the south of North island square measure the Muslim Minangkabau of West island, whereas to the north there square measure varied Muslim Acehnese peoples.

The various Batak cultures dissent in their pre-colonial non secular concepts as they are doing in several alternative aspects of culture. info concerning the previous non secular concepts of the Mandailing and Angkola in southern Batakland is incomplete, and really very little is thought concerning the faith of the Pakpak and Simalungun Batak. For the Toba and Karo on the opposite hand the proof within the writings of missionaries and colonial directors is comparatively copious. info on the standard styles of Batak faith springs chiefly from the writings of German and Dutch missionaries United Nations agency became progressively involved with Batak beliefs towards the top of the nineteenth century.

Various influences affected the Batak through their contact with Tamil and Javanese traders and settlers in southern Batakland, and therefore the east and geographic region close to Barus and Tapanuli, specially the massive Padang Lawas temple complicated in Tapanuli. These contacts transpire several centuries agone and it's not possible to reconstruct simply however so much the non secular concepts of those foreigners were adopted and reworked by the Batak. it's urged that the Bataks adopted aspects of those religions, specifically Mahayana Buddhist, Shaivist, and Tantrist practices at intervals their own customs.

The modern Indonesian state is supported on the principles of pancasila, which needs the assumption in 'one and solely God', the observe of either Protestantism, Catholicism, Islam, Buddhism or Hinduism, one in every of that should be entered on somebody's KTP. ancient religions are not formally recognised, and consequently ancient religions square measure progressively marginalised, though aspects of the standard Batak faith square measure still practiced aboard Christianity, and, to a lesser extent, Islam.

There square measure many alternative versions in circulation. These were erst passed down through oral tradition however have currently been written down within the native languages. There also are massive collections of Batak tales collected by European students since the mid-19th century and recorded in European languages, largely Dutch.

Related Sites for Batak peoples

Bank Permata

Bank Permata

PermataBank is that the tenth biggest bank in Dutch East Indies at 2010.

Bank PermataPT Bank Permata Tbk was established in Dutch East Indies on Dec seventeen, 1954 supported the notarial deed No. 228 of Eliza Pondaag, S.H., substitute of Raden Mas Soerojo, S.H., official in Jakarta. The deed of multinational was approved by the Minister of Justice of the Republic of Dutch East Indies (currently Minister of Justice and Human Rights) in its call Letter No. J.A.5/2/2 dated Gregorian calendar month four, 1955, registered in Jakarta District Court underneath No. 123 dated Gregorian calendar month 15, 1955 and revealed in Supplement No. 292 to State Gazette of the Republic of Dutch East Indies No. 22 dated March 18, 1955.

Bank island started its business operations on Gregorian calendar month five, 1955. in line with article three of its Articles of Association, the Bank operates as a billboard bank. The Bank obtained the license as a billboard bank underneath the choice Letter of the Minister of Finance No. 19371/U.M.II dated Gregorian calendar month nineteen, 1957. The Bank conjointly obtained a license to have interaction in interchange activities and as a bank that engaged in activities supported Islamic law principles supported the choice Letter of the financial Council of Bank Dutch East Indies No. Sekr/D.M./97 dated might eight, 1956.

Based on the Minutes of Extraordinary of General Meeting of Stockholders that was established by the notarial deed of A. Partomuan Pohan, S.H., LL.M No. forty six dated Sept twenty seven, 2002, platinum Bank island Tbk and four Banks underneath Restructuring (BUR), consisting of platinum Bank Universal Tbk (Universal), platinum Bank Prima categorical (Primex), platinum Bank Artamedia (Artamedia) and platinum Bank subject (Patriot), with the approval from the Extraordinary General conferences of Stockholders of every individual bank, have in agreement to enter into a merger.

This merger became effective since the approval of the Minister of Justice and Human Rights of the Republic of Dutch East Indies supported its call letter No. C-18778.HT.01.04.TH.2002 dated Sept thirty, 2002.

To fulfill the minimum Capital Adequacy quantitative relation stipulated by Bank Dutch East Indies as a consequence of the conveyance of title of all assets and liabilities from the four BUR to the Bank island, IBRA created a short lived capital investment to the Bank island amounted to IDR four,600,000. This temporary capital investment was created through personal placement while not preventive  rights of 111,111,111,111 new category B shares with value of IDR five per share or total value of IDR 555,556 and also the remaining balance amounting to IDR four,044,444 as further paid-in capital.

Based on the choice of the Deputy Governor of Bank Dutch East Indies No. 4/159/KEP.DpG/2002 dated Sept thirty, 2002, Bank Dutch East Indies approved the merger of the four BUR into Bank island. The merger later became effective when the approval of the changes within the extant Bank’s Articles of Association by the Minister of Justice and Human Rights of the Republic of Dutch East Indies in its call Letter No. C-18861.HT.01.04.TH.2002 dated Sept thirty, 2002.

Based on the letter of Deputy Governor of Bank Dutch East Indies No. 4/162/KEP.DpG/2002 dated October eighteen, 2002, Bank Dutch East Indies approved the amendment of Bank island’s name from platinum Bank Bali Tbk to platinum Bank Permata Tbk (Bank Permata).
This is the list of BankPermata subsidiaries.

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Bogor Botanical Garden

Bogor Botanical Garden

The area that was currently Bogor biology Gardens was a part of the samida that was established a minimum of round the era once Sri Baduga prince (Prabu Siliwangi, 1474-1513) rules the Sunda Kingdom, as written within the Batutulis inscription. This forest was created to safeguard seeds of rare woods. Another similar samida was established close to this border between Bogor and Cianjur, referred to as Ciung Wanara Forest. This forest was neglected once the Sunda Kingdom was defeated by the Banten country.
Bogor Botanical Garden
Bogor Botanical GardenIn 1744, the Dutch East Indies Company established a garden and mansion at the positioning of this biology Gardens in Buitenzorg.

In 1811, Stamford Raffles was appointed Lieutenant-Governor of Java. Raffles had the garden in Buitenzorg re-landscaped. His wife, Olivia Raffles, died in Bogor in 1814. A memorial her currently stands within the grounds of the Bogor biology Gardens.

In 1817, the standing of the gardens in Bogor was formally upraised to the rank of biology Gardens. The gardens formally opened in 1817 as 's Lands Plantentuin, the thought of that was introduced by German-born Dutch life scientist and biologist academic Caspar Georg Carl Reinwardt. They were wont to analysis and develop plants and seeds from alternative elements of state for cultivation throughout the nineteenth century. this is often a convention that continues nowadays and contributes to the garden's name as a middle of biology analysis.

In 1848, the West African feather palm, was introduced into the gardens. this is often believed to be the mother tree in geographic region from that various descendants were made to support the expansion of the oil business within the region.
In 1862, The Cibodas
established as an extension of the
Botanical Gardens were
Bogor gardens.
In 1889, The Teysmann Garden, a proper garden within the symmetrical European designs, was established in honor of Johannes Elias Teijsmann, steward of the Bogor biology Gardens from 1830 to 1869.

In 1928, the Astrid Avenue, that contains spectacular show of herbaceous plant lilies of assorted colours, was established on the japanese aspect of the gardens in memory of a visit by aristocrat Astrid of European country.
In 1994, The APEC Heads
held in the Bogor Palace next
of Government meeting was
to the gardens.
The gardens were used throughout the APEC summit in Indonesia attended by sixty world leaders that formalised the Bogor Declaration.

Today the garden contains quite 15,000 species of trees and plants. There area unit four hundred styles of exceptional palms on lawns and avenues.The Gardens area unit a refuge for quite fifty completely different types of birds and for teams of loopy roosting high within the trees. The flower homes contain some 3,000 varieties. In 1862, the Cibodas biological science Gardens were supported as associate degree extension of the Bogor garden at Cibodas, just about forty five kilometers to the southeast of Bogor.

Bogor biological science Gardens has 5 titan arum plants in its collections, all from Pagar Alam, South island. This represents the best variety of specimens among biological science gardens. the most recent flowering events materialized in Gregorian calendar month 2011 and on July three, 2011.

Related Sites for Bogor Botanical Garden

Cinta Laura : German-Indonesian role player

Cinta Laura

Cinta Laura Kiehl may be a German-Indonesian role player, electropop singer and model in Indonesia. starting her career in 2007, she has asterisked in many TV series, movies and supported many native and international brands. Since the beginning of her career, she has won many awards for acting and singing, 2 of that area unit from the "Nickelodeon youngsters alternative Awards Indonesia" and "SCTV Awards". Her debut single, Ohio Baby was from the audio recording of her film, "Oh Baby".

Cinta LauraCinta LauraCinta Laura Kiehl, with pride states that she's the subject of the planet. Born to a German father and Indonesian mother, Michael and Herdina Kiehl, a roaring German hotel manager and Indonesian professional, Cinta Laura spent most of her childhood on the road the planet, and thus influences her heavily Americanized accent. In might 2006, Cinta won AN acting and modeling and boldstar competition by MD diversion, WHO offered her a main role during a new TV series referred to as Cinderella in 2007. due to her father's job, Laura traveled round the world, moving from country to country each 2 years, English being her first language. Before her debut on Indonesia's tv screens, she was instructed enough Indonesian language to talk sufficiently. She conjointly asterisked within the film, “Oh Baby” by MD diversion in 2008. Her debut single, Ohio Baby was from the audio recording of the film. Since the beginning of her career, she has won many awards for acting and singing, 2 of that area unit from the record player youngsters alternative Awards Indonesia. She was conjointly awarded in "Aktris Ngetop" at the SCTV Awards in 2007.

Her first silver screen Ohio Baby that shows a median dance ability is not critically acclaimed, but the OST has been haunting significantly those of teenyboppers, not solely in Indonesia however conjointly neighboring countries like Malaya and Negara Brunei Darussalam. And to the surprise of the many, Cinta Laura is chosen by AXN channel to be the regional icon for his or her new program "Dance Off".

Aside from her skilled and tutorial life, Laura conjointly holds a charity foundation referred to as the “Soekarseno Peduli”, geared toward reconstruction bedraggled faculties in Bogor, Indonesia. the muse has cooperated with many transnational corporations and NGO's, aiding over 4000 kids since 2003. once the success of her debut single, Oh Baby, Laura had collaborated with couple arthropod genus within the song Penghianat Cinta, and Afgansyah Reza within the song Let’s Get the Beat. In January 2010, she free her first studio album, Cinta Laura. The album has sold-out 1,000,000 copies and received a record breaking thirteen times noble metal from sales in Indonesia, Malaya and Negara Brunei Darussalam Darussalam.

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Saturday, July 19, 2014

Bank Negara Indonesia

Bank Negara Indonesia

Bank Negara Indonesia, commonly known as BNI, is an Indonesian bank. It has branches primarily in Indonesia, but it can also found in Singapore, Hong Kong, Tokyo, London and New York. It had 1000 branches and over 9 million customers in 2006. It is listed on the Indonesia Stock Exchange as "BBNI". Its market capitalization as of 12 March 2007 was 23.8 trillion rupiah (approximately US$2.6 billion).
Bank Negara IndonesiaBank Negara Indonesia was established on 5 July 1946. It was prepared to be the Central Bank of Indonesia with the task of issuing and handling Indonesian currency. A few months after its establishment, Bank Negara Indonesia officially distributed the 1st official currency of Indonesia - ORI or Oeang Republik Indonesia.
Bank Negara IndonesiaFollowing the appointment of De Javasche Bank as the Central Bank of Indonesia, Bank Negara Indonesia had its role shifted to that of a development bank, and was later given the right to serve as a foreign exchange bank. Following increased capitalization in 1955, the legal status of Bank Negara Indonesia was changed into that of a commercial bank through a jurisdicial assignment under Emergency Law number 2 of the year 1955. Also in 1955, Bank Negara Indonesia officially opened its 1st foreign branch in Singapore.
After a merger period with several other commercial banks, the function and individuality of the Bank were restored in 1968. The status was resumed to that of a state-run commercial bank. The official name was changed to 'Bank Negara Indonesia 1946'.
Bank Negara Indonesia 1946 conducted an operational restructuring program, by formulating the 'Performance Improvement Program' to facilitate a more dynamic role in facing the continuously-changing environment. The program covered various aspects, including the improvement of the Corporate Vision and Mission, the refinement of strategic plans, as well as the development of technology and human resources.
Signifying the determination of Bank Negara Indonesia 1946 to create a new image and attitudes in line with its aspiration to play a more international role and to respond to the challenges of globalization, the Bank changed its corporate logo into a 'Sailing Boat' and introduced the nickname of 'Bank BNI'.
The law number 7 of the year 1992 opened-up opportunities for state-run banks to change their legal status into Limited State-Owned Corporations. With this change in legal status, the Bank's name was officially replaced with 'PT. Bank Negara Indonesia (Persero)'.
In 1996, Bank BNI's decision to become a public company was manifested through an Initial Public Offering of its shares through the stock exchange. Bank BNI was the 1st government bank in Indonesia which listed its shares on both the Jakarta Stock Exchange (now Indonesia Stock Exchange) and the Surabaya Stock Exchange. The corporate name was amended to 'PT. Bank Negara Indonesia (Persero) Tbk', to show its status as a public company.
The government's banking recapitalization program, launched after the economic crisis, provided Bank BNI with additional capital of IDR 61,2 trillion.
The bank introduced the
nickname 'Bank BNI' was
latest logo in 2004. The
shortened into "BNI'46".

Related Sites for Bank Negara Indonesia

Bank Rakyat Indonesia

Bank Rakyat Indonesia

It is currently 70% government owned operating company and has been government owned for the entire period since the war of independence (1945 to 1949) to November 2003, when 30% of its shares were sold through an IPO.
BRI was founded in 1895, during the Dutch colonial period as "De Poerwokertosche Hulp en Spaarbank der Inlandsche Hoofden", by Raden Aria Wirjaatmadja in Purwokerto, Central Java. It then underwent its 1st name changes to "Hulp-en Spaarbank der Inlandsche Bestuurs Ambtenaren" (tr. Aid and Savings Bank for Local Civil Servants).
Bank Rakyat IndonesiaGoing through several name changes, its final name during the colonial period was "Algemene Volkscredietbank ", or People's General Credit Bank, in 1934. This translates loosely into Indonesian as "Bank Rakyat Serikat". At this point it was one of the largest institutions in the (then) colony.
The bank's operations were affected by the Japanese occupation during the 1942 to 1945 period of World War II, including a further name change to "Shomin Ginkou". After the Indonesian declaration of independence, on 17 August 1945 the bank was officially nationalised by the new government and then renamed "Bank Rakyat Indonesia Serikat".
As a bank, wholly owned by the government, BRI's structure then largely followed government whim, which moved rapidly towards socialism under President Sukarno and then to state authoritarianism under President Suharto. This involved being folded into, and then out of, Bank Indonesia. BRI gained its current name and status in 1992.
BRI was nearly unique in Indonesia in the East Asian financial crisis of 1997, in that its operations were largely unaffected. This was because it had very little, if any, lending in foreign currencies or to the large corporations that had been borrowing heavily overseas, as most of the other large Indonesian banks had.
Since then BRI has been concentrating on increasing its core business and improving its risk management practices. As part of the reformasi process in Indonesia since 1998, the government has been steadily reducing its influence on the Bank's day to day operations, culminating in its IPO. It is also seeking to comply with the Basel II accords, as mandated by Bank Indonesia, by 2008.

Related Sites for Bank Rakyat Indonesia

Bank Danamon

Bank Danamon


PT Bank Danamon Indonesia Tbk. is an Indonesian bank established in 1956.The name Bank Danamon, which was derived from ‘dana moneter’, meaning monetary fund, was 1st used in 1976 in place of its original name, Bank Kopra.
Bank DanamonIn 1988, Bank Indonesia enacted a package of major banking reforms known as the ‘October 1988 Package’ or PAKTO 88. The main aim of PAKTO 88 was to encourage competition in the banking sector by lowering the barrier to entry, including the liberalization of the requirements for the establishment of new private domestic banks and joint-venture banks. As a result of this, Bank Danamon became among the 1st foreign exchange banks in Indonesia, and became a public company listed on the Jakarta Stock Exchange.
Today, ‘Danamon’ is the brand name of Indonesia’s largest financial institution by number of employees â€" approximately 61,875 permanent and non permanent employees at the end of September 2011; one which focuses on realizing its vision: “We Care and Enable Millions to Prosper”.
In pursuing this vision, Danamon has set its sights on being ‘The Leading Financial Institution in Indonesia’ with a significant market presence. It aims to achieve this position by being a customer centric organization covering all customer segments, each with a unique value proposition, centred on sales and service excellence and supported by world class technology. In line with this effort, Danamon aspires to be an employer of choice, respected by all of its stakeholders, while embracing 5 of its values: caring, honesty, passion to excel, teamwork and disciplined professionalism.
Danamon’s focus on fulfilling all of its customers’ needs is reflected in its business approach. Implemented in 2003, a universal banking focus pivoted Danamon’s business expansion ahead. By the end of 2004, Danamon had completed its array of business segments, spanning from mass market, SME & Commercial banking, retail banking, cards business, syariah banking, corporate banking, treasury, capital markets & financial institutions, in addition to Adira Finance. 2004 also marked Danamon establishing a solid entry into the insurance and household financing businesses through Adira Insurance and Adira Kredit. Danamon’s acquisition of American Express card business in Indonesia in 2006 made the bank one of the largest card issuers in the country.
A surviving entity in a merger of 9 Bank Taken Over during the Asian financial crisis which began in the late 1990s, Danamon has emerged as one of the largest and strongest financial institutions in the region. With over 50 years of experience, Danamon continues to strive to be a bank that ’make things happen’ for its customers â€" it’s brand promise. Danamon currently ranks as the 6th largest bank by asset size in Indonesia, and operates the 2nd largest branch network with over 2,900 branches and points of sales, including its Danamon Simpan Pinjam (DSP) and Syariah units as well as its subsidiaries branches. Danamon is also supported by a comprehensive array of electronic banking conveniences.

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Thursday, July 17, 2014

Shendy Puspa Irawati : Indonesian badminton player

Shendy Puspa Irawati


Shendy Puspa Irawati
Shendy Puspa Irawati is a female badminton player from Indonesia.
Shendy competed women's doubles in BWF Super Series at the 2008 Indonesia Super Series, 2009 Malaysia Super Series, and 2009 Korea Super Series with her partner, Meiliana Jauhari. Their best result were in the Indonesia and Malaysia where they became to the semifinal. In Indonesia, they were lost from Japanese Miyuki Maeda and Satoko Suetsuna, and in Malaysia, they were lost from the Chinese Yang Wei and Zhang Jiewen with 10-21, 15-21.

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Della Destiara Haris

Della Destiara Haris

Della Destiara Haris
Della Destiara Haris
Della Destiara Haris is a female Indonesian badminton player. She is double specialize.

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National sports team

National sports team

National sports team
A National sports team, is a team that represents a nation, rather than a particular club or region, in a sport.
The term is most commonly associated with team sports; however it can be applied to groups of individuals representing a country in where regular play is individuals by aggregating individual scores to a get a team result.
National teams often compete at various levels and age groups and there are number of different selection criteria for national teams. National teams aren't always composed of the best available individual players.
National teams, like other sporting teams are often grouped, by sex, age or other criteria. The most prestigious national teams are often the senior men's and women's teams, however they may not be the most popular or successful.
The popularity and
depends on a number of factors.
notability of a national team
-
National sports teamPopularity of a national team conjointly depends on the recognition of the game in this country. In some countries a selected sport is incredibly common and generally a national sport. A national team could also be common albeit the competition it competes in isn't. for instance, the island island national football league team is extraordinarily common as a result of the game is common within the country, albeit the very best competition it competes in - the football League World Cup - isn't. in this case, we are able to see that, albeit the game is common in this country, the final level they're taking part in is not thus high or not up to alternative countries that they require to vie with. for instance, notwithstanding Korean national Handball league team is not thus common as a result of handball is not common sport in Korea, they often get gold medals in Olympiad or World Cup Games. in this cases, notwithstanding the team is not thus common, the Games they participate in becomes thus common. that is why the players of such groups have a lot of assured roles on the society like Korean handball players these days.

A particular sport in an exceedingly country could also be a lot of common among bound teams. for instance, a women's team could also be a lot of common than a convenience team if there's a larger participation within the sport.

The popularity of the international competition that a team participates in has the largest influence on the recognition of national sports team. there's a particular quantity of status that is related to competitory on the "world stage".

Competitions with the foremost groups concerned provide the foremost international competition and ar typically preferred. the foremost common multi-sport international competitions that embrace team sports embrace the Olympic Games, Commonwealth Games ar comparatively open for participation. alternative competitions that ar specific to sports, like the FIFA World Cup, football World Cup (Rugby union) and Cricket World Cup (cricket) permit several countries to qualify.

For instance, the recognition of the Socceroos is heightened throughout the FIFA World Cup merely thanks to participation in an exceedingly international event.

However, however even the competition is additionally matters. notwithstanding there ar an oversized range of participants, if some of groups dominate or if several of the groups ar from countries wherever the game lack adequate depth to field a top quality facet, then the competition won't be taken seriously. as an example, football League World Cup has been criticised for Associate in Nursing uneven competition, and as a result, the recognition of the many of its groups, together with Australia wherever football league's quality is highest.

Popularity of a national team may ensue to a team being thriving notwithstanding the game itself is not common in an exceedingly country.

In several countries, the national team is that the highest level of play offered and as a result, it's typically preferred with fans and spectators from that country.

In alternative countries, domestic competitions could also be a lot of competitive and provide the next normal of play and reward.

Depending on the game, nation, and era in question, membership on the national team perhaps attained through individual play, players could also be selected  by a managers and coaches appointed by a national sport association like the soccer Association or the Canadian Hockey Association, a team might ought to win a national championship so as to receive the correct to represent their nation (as within the World Curling Championships).

In some national groups representatives play for the love of their sport and country. but in others, individual players ar paid to represent their country.

In some cases, players ar either deliberately excluded or opt for to not represent their national team on the idea of not being stipendiary. this could have an effect on the relative performance of a team. as an example, once permitting skilled players, the USA convenience national team dramatically jumped up the globe rankings.

In alternative cases, players could also be narrowed to a club, reception or abroad. As a result, their primary loyalty could also be to their club instead of their country, particularly if the competition that the national team is taking part in in doesn't provide identical status.

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Sundanese dance

Sundanese dance

Sundanese dances is a dance tradition that is a part of ritual, artistic expression as well as entertainment and social conduct among the Sundanese people of West Java, Indonesia. Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble.
Sundanese danceIn Sundanese culture the term ngibing means "to dance", but it is indeed performed in particular Sundanese style, usually performed between male and female couple. In West Java, all it takes is a woman’s voice and a drum beat to make a man get up and dance. Every men there breach ordinary standards of decorum and succumb to the rhythm at village ceremonies or weddings. The music the men dance to varies from traditional gong degung ensembles to the contemporary pop known as dangdut, but they consistently dance with great enthusiasm. Henry Spiller in "Erotic Triangles" draws on decades of ethnographic research to explore the reasons behind this phenomenon, arguing that Sundanese men use dance to explore and enact contradictions in their gender identities. Framing the three crucial elements of Sundanese danceâ€"the female entertainer, the drumming, and men’s sense of freedomâ€"as a triangle.
Sundanese danceAmong Sundanese dances perhaps Jaipongan is the most popular styles and form. Jaipongan dance could be performed solo by a female dancer, in group of female dancers, as couple between professional female and male dancers, or as couple when professional female dancers invite male audience to dance with them. Other Sundanese dances include Topeng Sunda, Kandagan, Merak, Sisingaan, and Badawang dances. The Merak dance is a dance performed by female dancers inspired by the movements of a peafowl and its feathers blended with the classical movements of Sundanese dance, it symbolises the beauty of nature. Some dances might incorporated Pencak Silat Sundanese style movements. Because Sundanese culture are commonly developed among rice farming villages in mountainous Priangan, some dance rituals such as Buyung dance are involved in Seren Taun rice harvest festival, accompanied with angklung music. Rampak kendang on the other hand are actually synchronized kendang performances involving some coordinated dance movements. The Sundanese style of Reog dance is different than those of East Javanese Reog Ponorogo. The Reog Sunda performance combines comedy, joke, music, and funny comical movements and dances of the performers.
Unlike its Javanese counterpart, there is no clear distinction based on social hierarchy between court dances and the commoners' dances in Sundanese tradition. Most of Sundanese dance traditions and its culture are developed by common people in villages, the fact partly contributed to Sundanese history; the absence of Sundanese court culture since the fall of Sunda Pajajaran kingdom in late 16th century. Sundanese people however are familiar with aristocratic culture of the menak (nobles) in Priangan region, especially in Cianjur, Bandung, Sumedang and Ciamis. The musical art such as Kacapi suling demonstrate the subtlety of aristocratic Sundanese arts.
In 17th century the Sundanese Priangan region was held under Javanese Mataram kingdom, as the result the Sundanese culture were exposed to Kejawen influences, such as wayang and Javanese dance styles. Wayang Golek although performed in Sundanese language, style and themes, it bears the same frame of references with Javanese Wayang Kulit tradition, that often took episodes from Ramayana or Mahabharata. The courtly Sundanese dances were developed by Sundanese nobles such as Keurseus dance, Badaya Sunda, Sarimpi Kasumedangan, Ratu Graeni, Dewi and Wayang Orang dance in Sundanese Sandiwara style, all demonstrate the influences of Javanese Mataram courtly culture.

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Wayang kulit

Wayang kulit

Wayang is a Javanese word for particular kinds of theatre. When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali.
The term 'wayang' is the Javanese word for shadow, or bayang in standard Indonesian. In modern daily Javanese and Indonesian vocabulary, wayang is most often associated with the puppet itself or the whole puppet theatre performance.
Wayang kulitWayang is a generic term denoting traditional theatre in Indonesia. There is no evidence that wayang existed before the 1st century CE, after Hinduism and Buddhism were brought to Southeast Asia. This leads to the hypothesis that the art was imported from either India or China, both of which have a long tradition of shadow puppetry and theatre in general. However, there very well may have been indigenous storytelling traditions that had a profound impact on the development of the traditional puppet theatre.
Wayang kulitThe 1st record of a wayang performance is from an inscription dated 930 CE which says si Galigi mawayang, or "Sir Galigi played wayang". From that time till today it seems certain features of traditional puppet theatre have remained. Galigi was an itinerant performer who was requested to perform for a special royal occasion. At that event he performed a story about the hero Bhima from the Mahabharata. The kakawin Arjunawiwaha composed by Mpu Kanwa, the poet of Airlangga's court of Kahuripan kingdom, in 1035 CE describes santoṣxhĕlĕtan kĕlir sira sakxng sang hyang Jagatkāraṇa, which means "He is steadfast and just a wayang screen away from the 'Mover of the World'." Kelir is Javanese word for wayang screen, the verse eloquently comparing actual life to a wayang performance where the almighty Jagatkāraṇa as the ultimate dalang (puppet master) is just a thin screen away from us mortals. This reference to wayang as shadow plays suggested that wayang performance is already familiar in Airlangga's court and wayang tradition has been established in Java, perhaps earlier. An inscription from this period also mentioned some occupations as awayang and aringgit.
Wayang kulit is a unique form of theatre employing light and shadow. The puppets are crafted from buffalo hide and mounted on bamboo sticks. When held up behind a piece of white cloth, with an electric bulb or an oil lamp as the light source, shadows are cast on the screen. The plays are invariably based on romantic tales, especially adaptations of the classic Indian epics, the Mahabharata and the Ramayana. Some of the plays are also based on local happening or other local secular stories. It is up to the conductor or dalang or master puppeteer to decide his direction.
The dalang is the genius behind the entire performance. It is he who sits behind the screen and narrates the story. With a traditional orchestra in the background to provide a resonant melody and its conventional rhythm, the dalang modulates his voice to create suspense thus heightening the drama. Invariably, the play climaxes with the triumph of good over evil.
Wayang today is both the most ancient and most popular form of puppet theatre in the world. Hundreds of people will stay up all night long to watch the superstar performers, dalang, who command extravagant fees and are international celebrities. Some of the most famous dalang in recent history are Ki Nartosabdho, Ki Anom Suroto, Ki Asep Sunandar Sunarya, Ki Sugino, and Ki Manteb Sudarsono.
Wayang kulit, or shadow puppets, are without a doubt the best known of the Indonesian wayang. Kulit means skin, and refers to the leather construction of the puppets that are carefully chiselled with very fine tools and supported with carefully shaped buffalo horn handles and control rods. The stories are usually drawn from the Hindu epics the Ramayana, the Mahabharata or from the Serat Menak,.
There is a family of characters in Javanese wayang called Punakawan; they are sometimes referred to as "clown-servants" because they normally are associated with the story's hero, and provide humorous and philosophical interludes. Semar is the father of Gareng, Petruk, and Bagong (youngest son). These characters didn't originate in the Hindu epics, but were added later, possibly to introduce mystical aspects of Islam into the Hindu-Javanese stories. They provide something akin to a political cabaret, dealing with gossip and contemporary affairs.
The puppet figures themselves vary from place to place. In Central Java the city of Surakarta and city of Yogyakarta are most famous and the most commonly imitated style of puppets. Regional styles of shadow puppets can also be found in West Java, Banyumas, Cirebon, Semarang, and East Java. Bali produces more compact and naturalistic figures, and Lombok has figures representing real people. Often modern-world objects as bicycles, automobiles, airplanes and ships will be added for comic effect, but for the most part the traditional puppet designs have changed little in the last 300 years.
Historically, the performance consisted of shadows cast on a cotton screen and an oil lamp. Today, the source of light used in wayang performance in Java is most often a halogen electric light. Some modern forms of wayang such as Wayang Sandosa created in the Art Academy at Surakarta has employed spotlights, colored lights and other innovations.
The handwork involved in making a wayang kulit figure that is suitable for a performance takes several weeks, with the artists working together in groups. They start from master models which are traced out onto skin or parchment, providing the figures with an outline and with indications of any holes that will need to be cut (such as for the mouth or eyes). The figures are then smoothed, usually with a glass bottle, and primed. The structure is inspected and eventually the details are worked through. A further smoothing follows before individual painting, which is undertaken by yet another craftsman. Finally, the movable parts (upper arms, lower arms with hands and the associated sticks for manipulation) mounted on the body, which has a central staff by which it is held. A crew makes up to ten figures at a time, typically completing that number over the course of a week. However, unfortunately there isn't strong continuing demand for the top skills of wayang craftspersons and the relatively few experts still skilled at the art sometimes find it difficult to earn a satisfactory income.
The painting of less expensive puppets is handled expediently with a spray technique, using templates, and with a different person handling each color. Less expensive puppets, often sold to children during performances, are sometimes made on cardboard instead of leather.
Wayang wong also known as Wayang orang is a type of Javanese theatrical performance with themes taken from episode of Ramayana or Mahabharata.
While wayang gedog usually the theatrical performance that took the themes from the Panji cycles stories from the kingdom of Janggala, in which the players wear masks known as wayang topeng or wayang gedog. The word gedog comes from kedok, which, like topeng means "mask". The main theme is the story of Raden Panji and Candra. This is a love story about princess Candra Kirana of Kediri and Raden Panji Asmarabangun, the crown prince of Jenggala. Candra Kirana was the incarnation of Dewi Ratih and Panji was an incarnation of Kamajaya (god of love). Kirana's story was given the title Smaradahana ("The fire of love"). At the end of the complicated story they finally can marry and bring forth a son, named Raja Putra. Panji Asmarabangun ruled Jenggala under the official names Sri Kameswara, Prabu Suryowiseso, and Hino Kertapati. Originally, wayang wong was performed only as an aristocratic entertainment in four palaces of Yogyakarta and Surakarta. In the course of time, it spread to become a popular and folk form as well.
Wayang golek are wooden doll puppets that are operated from below by rods connected to the hands and a central control rod that runs through the body to the head. The simple construction of the puppets belies their versatility, expressiveness and aptitude for imitating human dance. Today, wayang golek is mainly associated with Sundanese culture of West Java. However the wooden wayang also known in Central Java as Wayang Menak, originated from Kudus Central Java.
Little is known for certain about the history of wayang golek, but scholars have speculated that it most likely originated in China and arrived in Java sometime in the 17th century. Some of the oldest traditions of wayang golek are from the north coast of Java in what is called the pasisir region. This is home to some of the oldest Muslim kingdoms in Java and it is likely the wayang golek grew in popularity through telling the wayang menak stories of Amir Hamza, the uncle of Muhammad. These stories are still widely performed in Kabumen, Tegal, and Jepara as wayang golek menak, and in Cirebon, wayang golek cepak. Legendary origins of wayang golek attribute their invention to the Muslim saint Wali Sunan Kudus, who used the medium to proselytize Muslim values.
In the 18th century the tradition moved into the mountainous region of Priangan West Java where it eventually was used to tell stories of the Ramayana and the Mahabarata in a tradition now called Wayang Golek Purwa, which can be found in Bandung, Bogor and Jakarta. The adoption of Javanese Mataram kejawen culture by Sundanese aristocrats was probably the remnant of Mataram influence over the Priangan region during the reign of expansive Sultan Agung. While main characters from Ramayana and Mahabharata are similar with wayang kulit purwa version of Central Java, some of punakawan were rendered in Sundanese names and characteristics, such as Cepot or Astrajingga as Bagong, Dawala or Udel as Petruk. Wayang golek purwa has become the most popular form of wayang golek today and the most famous puppeteer family is the Sunarya family which has produced several generations of stellar performers.
Wayang klitik figures occupy a middle ground between the figures of wayang golek and wayang kulit. They are constructed similarly to wayang kulit figures, but from thin pieces of wood instead of leather, and, like wayang kulit figures, are used as shadow puppets. A further similarity is that they are the same smaller size as wayang kulit figures. However, wood is more subject to breakage than leather. During battle scenes, wayang klitik figures often sustain considerable damage, much to the amusement of the public, but in a country in which before 1970 there were no adequate glues available, breakage generally meant an expensive, newly made figure. On this basis the wayang klitik figures, which are to appear in plays where they have to endure battle scenes, have leather arms. The name of these figures is onomotopaeic, from the sound klitik-klitik, that these figures make when worked by the dalang.
Wayang klitik figures come originally from eastern Java, where one still finds workshops turning them out. They are less costly to produce than wayang kulit figures.
The origin of the stories involved in these puppet plays comes from the kingdoms of eastern Java: Jenggala, Kediri and Majapahit. From Jenggala and Kediri come the stories of Raden Panji and Cindelaras, which tells of the adventures of a pair of village youngsters with their fighting cocks. The Damarwulan presents the stories of a hero from Majapahit. Damarwulan is a clever chap, who with courage, aptitude, intelligence and the assistance of his young lover Anjasmara, makes a surprise attack on the neighboring kingdom and brings down Minakjinggo, an Adipati of Blambangan and mighty enemy of Majapahit's beautiful queen Sri Ratu Kencanawungu. As a reward, Damarwulan is married to Kencanawungu and becomes king of Majapahit; he also takes Lady Anjasmara as a 2nd wife. This story is full of love affairs and battles and is very popular with the public. The dalang is liable to incorporate the latest local gossip and quarrels and work them into the play as comedy.
Wayang beber relies on scroll-painted presentations of the stories being told. Wayang beber has strong similarities to narratives in the form of illustrated ballads that were common at annual fairs in medieval and early modern Europe. They have also been subject to the same fateâ€"they have nearly vanished although there are still some groups of artists who support wayang beber in places such as Surakarta in Central Java.
The dalang gives a sign, the small gamelan orchestra with drummer and a few knobbed gongs and a musician with a rebab begins to play and the dalang unrolls the 1st scroll of the story. Then, speaking and singing, he narrates the episode in more detail. In this manner, in the course of the evening he unrolls several scrolls one at a time. Each scene in the scrolls represents a story or part of a story. The content of the story typically stems from the Panji romances which are semi-historical legends set in the 12th-13th century East Javanese kingdoms of Jenggala, Daha and Kediri, and also in Bali.
This newly developed form is used by teachers of Islam to show the principles of Muslim ethics and religion to the natives of Java and Bali. The term sadat derived from shahada.

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Tony Gunawan : Indonesian born-American badminton player

Tony Gunawan

Tony Gunawan (born 9 April 1975) is an Indonesian born-American badminton player of Chinese descent.
Gunawan is a former Olympic gold medalist and world champion for Indonesia, and now represents the United States. He is regarded by many, including his peers, as one of the greatest doubles players in badminton's history. A superb all-around player with a particular facility in the forecourt, his versatility in doubles is unmatched, having won the 2000 Olympics gold medal, the 2001 World Championships, and 2005 World Championships with 3 different partners.
Tony GunawanTony GunawanHe won the Men's Doubles gold medal in the 2005 IBF World Championships from the 13th seeded position with his American partner Howard Bach. Gunawan partnered with Halim Haryanto to win the 2001 IBF World Championships as well as the 2001 All-England Open, and with Candra Wijaya to win the 2000 Olympics in Sydney. He was a member of the world champion 2000 Indonesia Thomas Cup team, winning his final match against China with yet another partner, Rexy Mainaky.
Gunawan and Bach won the 2005 IBF World Championships Men's Doubles gold over Gunawan's ex-partner Wijaya and Sigit Budiarto who were also finalists in the 2003 IBF World Championships in the same event. Tony played for Indonesia from 1992â€"2001 and is the winner of numerous international titles. He has coached and played for USA since 2001. Tony is currently studying in Orange County, California and coaches at San Gabriel Badminton Club 2.

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Tuesday, July 15, 2014

Cinta Laura

Cinta Laura

Cinta Laura
Cinta Laura

Cinta Laura is the 1st studio album by the German-born singer, Cinta Laura. The album was released on February 27, 2010 throughout Indonesia, produced by Jan Djuhana and labeled Sony Music Entertainment Indonesia. In this album, he brings the kind of dance-pop and electropop song. In all album sales in Indonesia, Malaysia and Brunei Darussalam, she was awarded 13 x platinum. The 1st single from this album "Cinta Atau Uang", released in December 2009. In this album, contains ten tracks which also included songs that had already been released as a soundtrack a movie or television series. In marketing this album, Cinta Laura and the record label working with KFC that the album will be circulated in all KFC stores in Indonesia. The album was nominated for "Best Pop Album of Solo" awards SCTV Music Awards 2011.

Cinta Laura is the debut album by Cinta Laura, named after herself and was released in February, originally scheduled the album was released on January 23, 2010, but due to no contact Cinta Laura to work "Icon Dance Off Asia", however because there is contact to work "Icon Dance Off Asia", then release this album postponed until February 27, 2010. On this album, she brings the kind of electropop song like a songs sung by the American singer, Lady Gaga. Her 1st album release contains 10 songs that 7 of them are new songs, rhythmic dance in accordance with a young child. Not only contains a homage electropop song, Laura also serves other musical genres in his work. Like Indo pop song and blues music.

Her desire to do the job one by one as well which makes it just released her album in February 2010, after a few times a duet with popular Indonesian singer, such as Ahmad Dhani, Duo Maia, and Afgan. She revealed in the making of this album takes about six months, from July to December 2009.

Starting with the song "Cinta Atau Uang" are her electropop type music and of course able to be accepted by the wide as her 1st single. The song was awarded Indonesian Music Award 2011, category "Best Dance/Electronic Dance Production". In May 2011, Cinta Laura released "Shoot Me" as the 2nd single and music video inspired by the character Lara Croft that back nuances of dance-pop and able make the audience stomped. Laura also showed his ability to sing sweet songs like "Cape Hati" and "Guardian Angel" of the opposite pop-blues music.

Songs in this album is also much used as a soundtrack song or theme song on Indonesian television. The song "Oh Baby" is the debut of her 1st single which is also in the soundtrack of the movie Oh Baby, the soundtrack Ost. Oh Baby there is also a song titled "We Can Do It". In the same year he also recorded a song entitled "You Say Aku" for the soundtrack of the television series, Upik Abu and Laura. Her hits song in 2010, entitled "Cinta Atau Uang" was also the theme song from the 2nd movie that starred, Seleb Kota Jogja. This song was nominated in the category of "Favorite Theme Song" awards FTV Awards 2011, As well as a serial drama backsound of FTV on SCTV, with other songs that became the theme song is "Guardian Angel".

Sony Music as the party label claimed to work with KFC in marketing this album. After less than 2 weeks the album had sold up to 100,000 CDs, and Laura was awarded "Platinum Award". This Cinta Laura album is that special packaging, as any packaging in which there is a mini magazine called "Cinta Magazine". Mini magazine in cooperation with the teen magazine featuring all things about Cinta Laura, so that fans can get to know her personality.

Cinta Laura performed the song "Cinta Atau Uang" in the Indonesia's Got Talent final on July 17, 2010. He also performed this song in awards SCTV Music Awards 2011 that the album was also nominated for "Best Pop Album of Solo". Not only shown in the singles main musical events, it also shows the other songs in this album such as "Guardian Angel", "Shoot Me", "Kebebasan", "You Say Aku", "Oh Baby", "We Can Do It" in the event music broadcast on television such as Inbox and Dahsyat.

After six months of the release, Cinta Kaura blessed 11x Platinum, physical sales eventually reached nine hundred thousand copies. In addition to the sales achieved fantastic, Cinta's album is also used for the dance competition program entitled KFC Ayo Ngedance Bareng Cinta Laura which is also to promote the album and the singles. Following sold one million copies cds studio album marketed through KFC store, Laura gets certified 12x Platinum.

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2012 Indonesia Super League U-21

2012 Indonesia Super League U-21

The 2012 Indonesia Super League U-21 season was the 4th edition of Indonesia Super League U-21, a companion competition Indonesian super league that are intended for footballers under the age of twenty-one years.
2012 Indonesia Super League U-21The competition is divided into three acts consist of two round the group and knockout round. The 1st round is divided into five groups each containing four and three clubs, two top teams of each group advanced to the 2nd round. The 2nd half consisted of two groups containing five teams in each group intended, the two best teams from each group advanced to the semifinals. The winner advanced to the final, while two teams who defeated third-ranked fight. Final winner becomes the champion.
Note: Flags indicate national team as has been defined under FIFA eligibility rules. Players and Managers may hold more than one non-FIFA nationality.
Round I of group stage started 2 April 2012 to ended on 25 April 2012 and round II started 9 May 2012 to ended on 24 May 2012.
All matches were played in Krakatau Steel Stadium, Cilegon and in Jakabaring Stadium, Palembang (round II).
All matches were played in Kanjuruhan Stadium, Malang Regency and in Delta Stadium, Sidoarjo (round II).
All matches were played
Balikpapan and in Segiri Stadium,
in Persiba Stadium,
Samarinda (round II).
All matches were played
and in GOR Ciracas Stadium,
in Teladan Stadium, Medan
Jakarta (round II).
This stage started
2012. Start in 16 June to end in
after drawing in opening June
23 June 2012.
All matches were played
Lamongan.
in Surajaya Stadium,
-
All matches were played
Jayapura.
in Mandala Stadium,
-

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