Monday, September 30, 2013

Kawi script

Kawi script

Kawi script
Kawi is the name given to the writing system originating in Java and used across much of Maritime Southeast Asia in inscriptions and texts from the 8th century to around 1500 AD. It is also the name of the language used in these inscriptions and texts, more generally called "Old Javanese".
Kawi scriptKawi is derived from the Pallava script mentioned by scholars of Southeast Asian studies such as George Coedxs and D. G. E. Hall as the basis of several writing systems of Southeast Asia. The Pallava script was primarily used to write middle Tamil.
The earliest known texts in Kavi date from the Singhasari kingdom in eastern Java. The more recent scripts were extant in the Majapahit kingdom, also in eastern Java, Bali, Borneo and Sumatra.
The scripts are abugidas, meaning that characters are read with an inherent vowel. Diacritics are used, either to suppress the vowel and represent a pure consonant, or to represent other vowels.
The literary genre
called Kakawin.
written in this alphabet is
-
A well-known document written in Kawi is the Laguna Copperplate Inscription, found in 1989 in Laguna de Bay, in the metroplex of Manila, Philippines. It has inscribed on it a date of Saka era 822, corresponding to May 10, 900 AD, and is written in Old Malay containing numerous loanwords from Sanskrit and a few non-Malay vocabulary elements whose origin is ambiguous between Old Javanese and Old Tagalog. This document, among other discoveries made in recent years in the country such as the Golden Tara of Butuan and 14th century pottery and gold jewellery artifacts found in Cebu, is highly important in revising the ancient history of the Philippines.
Kawi also means
language.
"marble" in the Sanskrit
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Related Sites for Kawi script

  • Gunung Kawi - Tampaksiring - Reviews of Gunung Kawi - TripAdvisor read Kawi script
  • Malibest Resort (Langkawi, Malaysia) - Resort Reviews - TripAdvisor read Kawi script
  • Javanese alphabet, pronunciation and language (aksara jawa) read Kawi script

Kuih : bite-sized snack or dessert foods commonly found in Indonesia

Kuih

Kuih
Kuih are bite-sized snack or dessert foods commonly found in Indonesia, Malaysia, Singapore as well as the Southern China provinces of Fujian and Chaoshan, also in the Netherlands through its colonial link to Indonesia. Kuih is a fairly broad term which may include items that would be called cakes, cookies, dumplings, pudding, biscuit, or pastries in English and are usually made from rice or glutinous rice.
KuihKuih are more often steamed than baked, and are thus very different in texture, flavour and appearance from Western cakes or puff pastries. Many kuih are sweet, but some are savoury. The term Kue/Kueh/Kuih is widely used in the region of Indonesia and Malaysia to refer to sweet or savoury desserts. It is hard to distinguish between kuih of Malay or Peranakan origin due to the fact that the histories of these recipes have not been well-documented. Cross-cultural influencing is also very common.
Though called by other names, one is likely to find various similar versions of kuih in neighbouring countries, such as Vietnam, Thailand, and Burma. For example, the colourful steamed kue lapis and the rich kuih bingka ubi are also available in Burma, Thailand, and Vietnam.
Many Chinese kue require the use of a Kue mold similar to that use in mooncakes, which is either carved out of wood or made of plastics. Kue molds with turtles are ubiquitous, though molds of peaches are usually quite common. Red coloured turtle kue are known especially as "Ang ku kueh"/"Red Tortoise Cake". Since many Chinese no longer make kue at home, these molds have become less common in many kitchens.
Indonesian kue for sale
the Netherlands.
in Indo Toko in Amsterdam,
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Indonesian fried snacks, from left to right: kue onde-onde, pastel, martabak mini, risoles. From all those kue only onde-onde are sweet, the rest are savoury.
Kuehs aren't confined to a certain meal but can be eaten throughout the day. They are an integral part of Malaysian and Singaporean festivities such as Hari Raya and Chinese New Year, which is known as Tahun Baru Cina in Malay among the Peranakan.
In the Northern states of Perlis, Kedah, Perak and Kelantan, kue are usually sweet. In the Southeast Peninsular states of Negeri Sembilan, Melaka and Selangor, savory kuih can be found. This is largely due to the large population of ethnic Chinese and Indians which held much cultural influence in these states.
In almost all Malay and Peranakan kuih, the most common flavouring ingredients are grated coconut, coconut cream (thick or thin), pandan (screwpine) leaves and gula melaka (palm sugar, fresh or aged). While those make the flavour of kuih, their base and texture are built on a group of starches â€" rice flour, glutinous rice flour, glutinous rice and tapioca. Two other common ingredients are tapioca flour and green bean (mung bean) flour (sometimes called "green pea flour" in certain recipes). They play a most important part in giving kuihs their distinctive soft, almost pudding-like, yet firm texture. Wheat flour is rarely used in Southeast Asian cakes and pastries.
For most kuih there is no single "original" or "authentic" recipe. Traditionally, making kuih was the domain of elderly grandmothers, aunts and other women-folk, for whom the only method for cooking was by "agak-agak" (approximation). They would instinctively take handfuls of ingredients and mix them without any measurements or any need of weighing scales. All is judged by its look and feel, the consistency of the batter and how it feels to the touch. Each family holds its own traditional recipe as well as each region and state.
Nyonya and Malay kuih should not be distinguished since Peranakans have settled in the Malay Peninsula. They have adapted to Malay culinary and cultural heritage. Therefore there are many kuih native to Malay culture which have been improvised and retained by the Peranakans.
Nonya kuih come in different shapes, colours, texture and designs. Some examples are filled, coated, wrapped, sliced and layered kuih. Also, as mentioned earlier, most kuih are steamed, with some being boiled or baked. They can also be deep-fried and sometimes even grilled.

Related Sites for Kuih

  • Resepi Kuih Muih - Traditional Cakes Recipes read Kuih
  • Pengenalan | Kuih-muih Melayu Tradisional read Kuih

Indonesian National Army

According to the TNI Law Article 7 paragraph (1), the main task of the Indonesian National Army is to uphold national sovereignty, defend the territorial integrity of the Unitary Republic of Indonesia based on Pancasila and the Constitution 45, and protect all the people and the country of Indonesia from threats and harassment against the integrity of the nation and the state. (2) main task as referred to in paragraph (1). Indonesian National Army consists of three armed forces, namely the Army, Army Navy, and Army Air Force. Army headed by a Commander of TNI, while each generation has a Force Chief of Staff.
Historically, the TNI had merged with the Police. This joint is called ABRI (Indonesian Armed Forces). MPR according VI/MPR/2000 number of separation and the TNI and National Police MPR VII/MPR/2000 number on the Role of TNI and the police role in the September 30, 2004 has approved the bill by the Parliament Army who later signed by President Megawati on dated October 19, 2004.

The identity of military and the Indonesian National Army
According to article 2 of the TNI law, the identity of the Indonesian National Army are:
  1. People's Army, the army, whose members come from Indonesian citizens
  2. Army fighters, who fought the army to uphold the Unitary Republic of Indonesia and did not know up in performing and completing tasks
  3. National Army, the Indonesian national army who served the state interest above the interests of regional, ethnic, racial, and religious groups
  4. Professional soldiers, the army trained, educated, well equipped, not practical politics, not business, and guaranteed welfare, and follow the state policy of embracing democratic principles, civil supremacy, human rights, the provisions of national law and international law been ratified

Army Duty
According to the TNI Law Article 7 paragraph (1), the main task is to uphold the Army states sovereignty, defend the territorial integrity of the Unitary Republic of Indonesia based on Pancasila and the Constitution 45, and protect all the people and the country of Indonesia from the threat and disruption to the integrity of state and nation . (2) main task as referred to in paragraph (1) conducted by:
  1. Military operations for the war
  2. Military operations other than war, namely to:
  • Overcoming the armed separatist movement
  • Overcoming the armed uprising
  • Overcoming terrorism
  • Securing the border region
  • Secure objects that are of vital strategic national
  • Carry out duties in accordance with the peace of the world's foreign policy
  • Securing the President and Vice President and their families
  • Empower the area of defense and strength early supporters in accordance with the defense system of the universe
  • Assisting local government duties
  • Assisting the Indonesian Police in the context of security duties and public order are governed by law
  • To help secure the country level guest heads of state and representatives of foreign governments who were in Indonesia
  • To help cope with natural disasters, refugee, and humanitarian assistance
  • To help search and rescue in the accident (search and rescue)
  • Assist the government in shipping and aviation security against piracy, piracy, and smuggling
Then paragraph (3) reads provisions referred to in paragraph (2) implemented by policy and political decisions the country.

Vision
Realization of a professional and modern military, has a strong ability to uphold national sovereignty, defend the territorial integrity of the Unitary Republic of Indonesia and maintain safety of the nation and the state and sustainability of national development.

Mission
  1. Manifest ability and prevents early detection and penangkalan for all potential vulnerabilities that could threaten the sovereignty, territorial integrity of the Unitary Republic of Indonesia and the safety of the nation, including the threat of terrorism is a national and international scale
  2. Continuing development efforts by building an integrated defense and maintain a professional military force and is supported by a modern discipline and high morale, Science and Technology of adequate, mobility and combat power, and high antarkomponen synchronization terbinanya national defense
  3. Army mental attitude in performing their duties on the basis of laws and regulations in force, foster and promote awareness of Human Rights, environment, and free from corruption
  4. Realizing that the TNI was not involved in practical political activity, supporting and implementing the state policy to maintain national security and stability in accordance with the duties, powers, and responsibilities granted by the state and nation
  5. TNI realize that no longer carry out activities related to the TNI business is not in accordance with the laws and regulations that apply and do all it can improve the welfare of the soldiers in accordance with the level of national economic development
  6. Build self-sufficiency by optimizing Matra Research and Development and Research and Development of Cross-Matra through cooperation with the national industry, including engineering technology, to meet the needs of military tools and equipment capable of supporting military tasks, thus reducing dependence of foreign parties
  7. Foreign policy supports the free and active, build mutual confidence (confidence building measure) between forces of armed men, working together on the principles of equality, mutual respect, and independence of each without the pressure of the whole country in the world, through the coordinating authority of the body United Nations
  8. Military service and carrying out humanitarian assistance in the context of military operations other than war as well in order to create unity of the TNI with the people
  9. Army Information System implementation in transforming the military's performance in a transparent and accountable.

(http://www.indonesia.go.id)

Indonesia Economic Situation

Indonesia Economic Situation

The Indonesian economy grew less dependent on oil and agriculture during the Soeharto New Order. The severe contraction of Indonesia's economy at the time of the 1997 Asian financial crisis, however, highlighted the shortcomings of the New Order economic model (increasingly wasteful use of foreign investment, declining international competitiveness). Indonesia's GDP contracted by 13% in 1998. GDP per capita in 2000 was US$671, well down on the 1996 level of US$1,150. The economy has shown signs of recovery more recently, and GDP per capita (PPP) was estimated at US$3,600 in 2007. Economic growth has gradually increased from 3.3% in 2001 (led by the export sector) to 6.3% in 2007; the figure for 2008 is estimated to be about 6.1%. Services (which represent 42% of GDP), manufacturing (28%), agriculture (15%) and mining (9%) account for most of the origins of Indonesia's GDP.

The Indonesian Government initiated a wide-ranging economic reform programme in 1998, with strong IMF advisory and financial support, to address the impact on Indonesia of the 1997 Asian financial crisis and to lay the foundations for long-term sustainable growth. On 1 January 2004 Indonesia graduated from the IMF's lending programme, and in early 2007 took the decision to disband the Consultative Group on Indonesia, a donor forum of which New Zealand was a member, preferring instead to focus on bilateral development assistance. The World Bank welcomed this step as a further sign of Indonesia's renewed economic confidence.

Despite improved macroeconomic conditions, prospects for a sustained high level of economic growth will depend to a large extent on the pace of critical economic reforms, particularly those concerning investment, tax and labour laws, and the economic impact of decentralisation. All of these factors are relevant to the restoration of investor confidence, which the IMF regards as central to Indonesia's long-term economic recovery. The Investment Law passed by the Parliament in early 2007 is seen as a crucial step in stimulating renewed investor interest. Indonesia operates a relatively open economy, but non-tariff barriers (NTBs) remain an impediment to trade. With a strong programme of administrative decentralisation in place, there are sharp contrasts between the economies of Indonesia's 33 provinces. Certain provinces with a major export resource base (particularly hydrocarbons or minerals, but also specialist agricultural commodities) are becoming markedly wealthy.

The impact of the current global economic turmoil has been felt in Indonesia, but aside from the collateral risks of capital outflow due to tighter global liquidity conditions, the country's fundamentals and economic structure mean it is not in apparent danger right now. Indonesia has been feeling the effects principally through pressure on the value of the rupiah, a significant weakening of the stock market, and falling commodity prices. Policymakers are wary, however, about prospects for 2009, when worsening economic conditions in Indonesia's key export markets may lead to significant effects on the domestic economy, such as large-scale job losses. The government has developed a number of policy responses to that threat, including a package of fiscal stimulus.

Indonesia Political Situation

Indonesia Political Situation





Indonesia's political system is a constitutional democracy. The current system is the result of various constitutional amendments after the fall of the authoritarian President Soeharto in 1998. The president is now elected in a general election every five years (until 2004 the president was elected by the MPR). The legislature is made up of two bodies: the House of Representatives (DPR) and the Regional Representatives' Assembly (DPD), mandated to deal with regional affairs. The supreme constitutional body is the People's Consultative Assembly (MPR), consisting of both the DPR and DPD sitting together. The MPR is the final arbiter - after Parliament and the Constitutional Court - of constitutional amendments and impeachment proceedings. It sat frequently until 2004, but is now expected to sit only once during a presidential term unless the nation is confronted by a major political crisis.

The main ideological strands in Indonesian politics are secular/nationalist and religious. The former has always been in the ascendancy and is for the most part supported by the main Muslim organisations, who guardedly accept the principle of a state that does not privilege one particular religion. Indonesia's own version of a secular-oriented ideology is "Pancasila" (designed by the nation's first president, Soekarno) which among other things requires belief in a single god but pointedly does not tie that belief to a specific religion. Since independence, Pancasila has been a sore point for the Islamist minority, who seek at the very least some form of constitutional requirement for the state to enforce Islamic principles on its Muslim population.

The post-independence political landscape has been dominated by Presidents Soekarno (1949-66) and Soeharto (1967-98). The Soekarno years were marked by political instability, economic decline and the dismantling of Indonesia's first parliamentary democracy. Soekarno's leadership ended in an armed coup in September 1965 in which Major General Soeharto rose to power and formally assumed the Presidency in March 1967.

President Soeharto's rule from 1967-98 was marked by economic development, political stability and close relations with the West. It was, however, marred by human rights abuses, centralised authoritarian rule, weakening of the non-executive branches of government and increased military involvement in politics and business. The final years of the Soeharto era were marked by growing public disenchantment and rising street protests, fuelled by the severe impact of the 1997 Asian financial crisis and the collapse of the rupiah. Having lost public, military and Cabinet support, Soeharto resigned on 21 May 1998.

The six years from Soeharto's downfall to President Yudhoyono's election saw three transitional presidents. Soeharto was succeeded by his Vice-President, BJ Habibie, who responded to public expectations by introducing political reforms, the most significant being the genuinely open and pluralistic national parliamentary elections held in June 1999. The MPR (People's Consultative Assembly) elected moderate Muslim leader Abdurrahman Wahid as President in late 1999. His government made limited progress towards addressing the longer-term problems faced by Indonesia. In July 2001 the MPR voted overwhelmingly to revoke President Wahid's mandate and replaced him with his Vice-President, Megawati Soekarnoputri.

During President Megawati's term, macro-economic indicators improved (although foreign direct investment (FDI) remained sluggish and unemployment very high) and there was enhanced political stability. Her government put in place the mechanism for the first direct Presidential election. In the play-off round of that election on 20 September 2004, Susilo Bambang Yudhoyono won the popular vote by 61% to Megawati's 39%.

Current President Yudhoyono faces similar challenges to those that confronted his predecessors in the post-Soeharto era. The need to address corruption, inadequate FDI flows, unemployment/underemployment and legal reform are priorities for his Government. A defining achievement of his presidency so far has been the peace agreement and subsequent peaceful elections in Aceh, ending years of armed conflict. Yudhoyono has also indicated that he places importance on consolidating the Special Autonomy Law for Papua and West Papua. The military (TNI) remains an influential player in Indonesia - principally as a consequence of its territorial command structure - although it no longer has a direct role in political affairs, having lost its reserved seats in parliament after October 2004.

Maia Estianty

Maia Estianty

Maia Estianty
Maia Estianty
Maia Estianty, known as Maia Ahmad during her marriage to Dewa 19 frontman Ahmad Dhani, is an Indonesian songwriter, music producer, singer, dancer and actress.
Estianty was born in Surabaya, East Java, on 27 January 1976. She was the 5th of six children born to Harjono Sigit and his wife Kusthini. She is the great-granddaughter of Tjokroaminoto, a nationalist Muslim leader and National Hero, through her father's side.
As a child, Estianty often fought with her classmates; in an interview with the weekly entertainment magazine Tabloid Nova, she recalled that, while at Yohanes Gabriel Catholic Elementary School in Surabaya, she once hit a classmate with an object so hard that the classmate began to bleed profusely. She also took up music during this time, leading her marching band to win a national championship; she also took up the piano.
As a student at State Junior High School 1 in Surabaya, Estianty took up modelling; in 1990 she won the Yess Modelling Competition for Teenagers, which provoked a number of modelling offers. She also began working part-time at a radio station and learned how to be a disc jockey. At a birthday party while in junior high school, a friend introduced her to Ahmad Dhani; Estianty and Dhani began writing songs for the piano together. Having received good marks in elementary school and junior high school, while in senior high school she began dating, 1st with a classmate then with Dhani, and her scores dropped drastically.
Towards the end of senior high school, Estianty and her father began arguing about her work and poor performance at school. Estianty threatened to move out; in response, Sigit said he would support her, on the condition she continue her studies at a state university. Estianty enrolled at the University of Indonesia, 1st in the Dutch literature programme then in the communications programme. During this time she became a backing vocalist for Dhani's band Dewa 19; the two married in the late 1990s.
Estianty and Dhani divorced on September 23, 2008. The separation of the couple, who had been married for twelve years and had three sons together, wasn't amicable; Estianty filed a police complaint accusing Dhani of abuse, and Dhani refused to give Estianty custody of their children, appealing to the Supreme Court of Indonesia after several lower courts ruled that the children were Estianty's. In 2011 Dhani was reportedly in a relationship with Mulan and had a child with her, and Dhani gave Estianty visitation rights in 2012. Maia submitted an appeal to the Supreme Court, because Maia could not easily meet her children. On May 14, 2013 the Supreme Court decided that the children could choose themselves since the children were considered capable to make a decision. Dhani agreed with it.
In 1999 Estianty and Dhani agreed to establish a musical duo consisting of a singer and musician, based on concepts pioneered by international bands like Roxette and Savage Garden. Pinkan Mambo, a cafx singer, was chosen to be the 2nd member of the newly formed group, named Ratu, meaning Queen. After three years of training, Ratu released its 1st album, Bersama, in 2003, which was influenced by R&B. Maia wrote seven songs on the album, while Dhani did the other three. The album was a commercial success, selling 250,000 copies.
Although Mambo and Estianty began work on another album, Mambo withdrew from the group in 2004 after widespread coverage of her being pregnant and unmarried. Maia and Dhani began looking for a replacement. They agreed on Mulan Jameela, a cafx singer from Bandung who took the stage name Mulan Kwok; her appointment was announced on 7 April 2005. That August, Ratu released the album Ratu and Friends in collaboration with numerous other artists. The album, which featured two songs by Ratu, sold more than 400,000 copies and was certified double platinum in Indonesia. The title of the single "Teman Tapi Mesra", often abbreviated TTM and released to promote Ratu and Friends, became widely used to describe those in a physical relationship without an emotional one.
The following year Maia garnered a role in the Trans TV-funded comedy programme Extravanganza, where she was the only non-Sundanese cast member. Also in 2006, Ratu released Nomor Satu, with pop-rock influences; Maia wrote most of the songs. The album was a commercial success; it sold 200,000 copies nationally on the day of its release, a record for a work by a female Indonesian group. However, conflicts between Dhani and Estianty, as well as concerns over Jameela's payment, led Ratu to disband in 2007.
Estianty with Mey Chan made Duo Maia. Together they released the album Maia and Friends in 2008; the album was in direct competition with Jameela's album Makluk Tuhan Paling Sexy. The songs on Maia and Friends were all written by Estianty. It featured duets with artists such as Gita Gutawa, Gigi, and Glenn Fredly. That year she was one of ten women honoured at the Tribute To Women ceremony held by the Antara News Agency; other honourees included author Ayu Utami and economist Sri Mulyani Indrawati.
Estianty played in Kata Maaf Terakhir in 2009 as Dania, the ex-wife to whom Darma (Tio Pakusadewo) must apologise before he dies. Marcel Thee, writing in The Jakarta Globe, described her acting as well done. That same year she released Sang Juara (The Champion) as part of Duo Maia. In an interview with The Jakarta Post, she explained that she had written the titular song after hearing Queen's power ballad "We Are the Champions" at a basketball match; she realised that there were no Indonesian songs which could be used in the same situation. Along with Dewiq and Agus Wisman, she was a judge of the Global TV-sponsored musical talent show Dream Girls, which was open exclusively to mothers.
In April 2012 Estianty announced that, although Duo Maia would continue to perform, she intended to focus on her work as a producer; she had spent the previous several months focusing on her managerial duties at Le Moesik. Meanwhile, Chan would begin a solo career.

Related Sites for Maia Estianty

Suara Karya

Suara Karya

Suara Karya
Suara Karya is a daily newspaper published in Indonesia. Established in 1971 to assist Golkar in winning that year's legislative election, it became required reading for all civil servants and the voice of Golkar. After its circulation increased from 55,700 in 1971 to 300,000 in 1998, the fall of Suharto caused circulation to plummet to 3,000. As of 2005, it is attempting rebranding to present cleaner, less biased news.
Suara KaryaThe 1st issue of Suara Karya was published on 11 March 1971 by the Suara Karya Foundation under direction of Golkar, prior to the July legislative election to assist Golkar. It took three days of preparation and Rp 50 million (at the time US$ 130,000) in start-up costs for the newspaper to be established. Its chief executive was Sumiskun, and the head editor was Jamal Ali. Other members of the editorial staff included Syamsul Bisri, Rahman Tolleng, Sayuti Melik, David Natipulu, and Cosmas Batubara.
Suara Karya's influence resulted in Golkar winning their 1st election and securing their political power. The newspaper afterwards became required reading for all government employees. It soon came into direct competition with Kompas, which became its biggest competitor.
With the support of Golkar, circulation expanded rapidly. By 1972, Suara Karya was selling 57,400 copies a day, 90.6% to the general public. During the succeeding years circulation varied, sometimes rising, sometimes falling drastically. By 1987, circulation had reached 124,079. At that time, Suara Karya employed 81 reporters, giving a ratio of one reporter for every 1,500 copies sold. It reached a circulation of 300,000 by 1998 and was considered the voice of Golkar Most of the subscribers were civil servants, who were required to do so by Golkar.
In 1983, together with Kompas, Suara Pembaruan, and Tempo, Suara Karya founded the Jakarta Post. In 1994, Suara Karya was estimated to own a 35% share of the company, making it the largest shareholder.
In 1989, Suara Karya received light sanctions from the Ministry of Information after running an article on the Sultan of Brunei. The article was considered likely to cause the Sultan emotional distress.
When Suharto was forced to resign from office in 1998, Suara Karya's circulation dropped sharply to from 300,000 to 3,000. After Golkar received the largest number of votes in the 2004 legislative election, it attempted a revamp of the newspaper and vowed not to promote the party's political interests through the daily; Dirk Thomsa considers their efforts unsuccessful, as Suara Karya is still often used as a way for Golkar members to express their opinions. As of 2005, Golkar claims a circulation of 80,000.

Related Sites for Suara Karya

Mee Bandung Muar

Mee Bandung Muar

Mee Bandung Muar
Mee Bandung Muar
Mee Bandung Muar, or simply Mee Bandung, is a traditional cuisine originated from Muar, Johor, Malaysia. The word 'bandung' in its name is due to literal definition which means "mixed" or "pairs" in Malay language as in several Malay words like "Sirap Bandung" and "Rumah Berbandung" (semi-detached house).
Mi Bandung should not be confused with the misconceptions saying that it is originated from Bandung, a city in Indonesia, as both of them aren't inter-related with each other at all.
Besides Muar. Mee
Selangor after Mee Jawa.
Bandung also famous in Klang,
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Mee Bandung House inKuala Lumpur, Malaysia.

Related Sites for Mee Bandung Muar

Nasi kandar

Nasi kandar

Nasi kandar
Nasi kandar
Nasi Kandar is a popular northern Malaysian dish, which originates from Penang. It is a meal of steamed rice which can be plain or mildly flavoured, and served with a variety of curries and side dishes.
The word Nasi Kandar, came about from a time when nasi [rice] hawkers or vendors would [balance] a kandar pole on their shoulder with two huge containers of rice meals. The name has remained and today the word Nasi Kandar is seen on most Tamil Muslim or "Malaysian Mamak" restaurants and Indian-Muslim stall meals.
The rice for a nasi kandar dish is often placed in a wooden container about three feet high, giving it a distinctive aroma. The rice is accompanied by side dishes such as fried chicken, curried beef spleen, cubed beef, fish roe, fried prawns or fried squid. The vegetable dish would usually be (aubergine), okra (lady fingers or "bendi") or bitter gourd. A mixture of curry sauces is poured on the rice. This is called 'banjir' (flooding) and imparts a diverse taste to the rice.
Traditionally, nasi kandar is always served with its side dishes on a single plate. Nowadays, small melamine bowls are used for the side dishes. Nevertheless, the curry sauce mix is always poured directly onto the rice.
In recent years, several chain restaurants have appeared such as Nasi Kandar Subaidah, Nasi Kandar Nasmir, Pelita Nasi Kandar and Kayu Nasi Kandar. Purists have disputed its taste compared to the original Penang versions. In Perlis, the rice is coloured yellow with herbs and the dish is referred to as "nasi ganja", though in fact no "ganja" is actually used in its preparation.

Related Sites for Nasi kandar

Ulos: the traditional cloth of the Batak people

Ulos

Ulos

Ulos is the traditional cloth of the Batak people of North Sumatra. Different kinds of ulos have different ceremonial significance. The ulos is normally worn draped over the shoulder or shoulders, or in weddings to ceremonially bind the bride and groom together. Ulos are traditionally hand woven and in the case of higher-quality examples are significant family heirlooms, to be worn at important events, such as funerals and weddings.
With increasing modernisation has come the decline in significance of the ulos, with many varieties no longer in demand.
According to Batak people, there are 3 sources of warmthness for human; sun, fire and ulos. Ulos is said to be a source of warmth because they were living on cold mountains. This natural condition makes the sunlight insufficient to give warmth especially at night. Then, they create something that is able to give them warmth, also believed to be able to give the men bravery and the women strength against infertility voodoos.
At first, Ulos was only used as an ordinary cloth. But it later developed to a symbol of love, traditional ceremony requirements, and society structural system symbol. Even Ulos is believed to have magical religious power and thus considered 'sacred' and that it has special power to protect the user.
There are many kinds and motives of Ulos, which have their own respective meaning in accordance to the characteristic, condition, function, and some relation. When it is used given to whom, and which traditional ceremony like wedding, birth, death and other rituals will never run without Ulos. If Ulos is used by a man, the upper part of it is called ande-ande, the lower called singkot, the one used on head called tali-tali, bulang-bulang or detar. But, because of its sacred value, not all Ulos can be used in daily activities. Ulos Jugja, Sadum, Ragidup, and Runjat are only used in some occasions. In everyday life, men wear Ulos in box pattern with black shirt named baju Kurung without shoes nor sandals.
Ulos used by female, the bottom called haen, the back called hoba-hoba and if it used as sacrf it called ampe-ampe. If used as head cover called saong, and if used to carry baby called parompa. In daily, the female using black long dress and head cover.
There are three ways to use Ulos. First, siabithononton. The Ulos used for this are Ragidup, Sibolang, Runjat, Djobit, Simarindjamisi, and Ragi Pangko. Second, sihadanghononton (used as head cover). The Ulos used for this are Sirara, Sumbat, Bolean, Mangiring, Surisuri and Sadum. Third, sitalitalihononton (tied at hip). Ulos used for this are Tumtuman, Mangiring and Padangrusa. Using Ulos in the right way is extremely important to make good looking and also to fulfill the philosophy meaning in Ulos. Ulos as love symbol it called mangulosi. In Batak culture, mangulosi (giving Ulos) is symbol of love to the receiver. In Mangulosi, there are common rules, mangulosi only can be done by people who has family relation or to give it to lower social status people. Like, parents can mengulosi their children, but not opposite. If want to mangulosi a child who give birth ffirst child, Ulos given is Ragidup Sinagok. Ulos given to special guest is Ulos Ragidup Silingo.
Ulos made with manual loom machine. A spinner used to make cotton into yards. Pamanggung using to tie yards. Pagabe to hold the yard. Baliga, used to organize yards. Hatalungan ised to separating yards. Pamapan used to make the yard into cloth. Palabuan (Periuk tanah)used to saving coloring water. Ulos made of cotton and the coloring water made of barks, grass, roots, mud or leaves.

Q&A


What is the tradition of Batak?

The Batak have a rich cultural tradition that includes dance, music, and weaving. They also have elaborate rituals for weddings and funerals.

What materials did the Batak tribe use?

The Batak tribe traditionally used materials such as bamboo, wood, rattan, and palm leaves for their homes, furniture, and crafts. They also used cotton to make their textiles.

What is Mangulosi?

Mangulosi is a traditional dance of the Batak people that originated in North Sumatra, Indonesia. It is performed to celebrate important events and occasions.

What is ulos in English?

Ulos is a traditional cloth made by the Batak people of North Sumatra, Indonesia. It is used for various purposes, including clothing, blankets, and ceremonial gifts.

What are Batak known for?

The Batak people are known for their rich cultural heritage, including their music, dance, and weaving traditions. They are also known for their hospitality and strong sense of community.

What is the origin of Batak?

The origin of the Batak people is not clear, but it is believed that they are descended from the Austronesian people who migrated to the Indonesian archipelago thousands of years ago.

What is Batak armband made of?

Batak armbands are typically made of silver or brass and are often intricately engraved with traditional motifs.

Is Batak a culture?

Yes, Batak refers to both an ethnic group and a distinct culture in North Sumatra, Indonesia.

What language do Batak tribes speak?

The Batak people speak several distinct languages, including Toba, Karo, and Simalungun. These languages are part of the Austronesian language family.

What is the culture of Bataks of Palawan?

The Bataks of Palawan are an indigenous tribe in the Philippines. They have a unique culture that includes traditional practices such as hunting, fishing, and weaving. They also have a strong sense of community and respect for their elders.

Why wear arm bands?

Arm bands have been worn for various reasons throughout history, including as a form of identification, to signify membership in a group, or as a decorative accessory.

What culture are arm bands from?

Arm bands have been worn by various cultures throughout history, including ancient Egypt, Rome, and Greece. They have also been worn by Native American tribes and African tribes.

What material is Captain armband?

The material of a captain armband can vary depending on the context. It may be made of fabric, leather, or other materials, and may be decorated with embroidery or other embellishments.

What religion is Batak Karo?

The Batak Karo people practice a unique blend of Christianity and traditional animist beliefs. They also have their own distinct rituals and ceremonies.

Is Batak language endangered?

Some of the Batak languages are considered endangered, as their usage has declined in recent years due to the dominance of Indonesian and other national languages.

Where are Batak houses from?

Batak houses are traditional houses built by the Batak people in North Sumatra, Indonesia. They are often built using traditional materials such as wood, bamboo, and thatch, and feature distinctive architectural elements such as carved wooden panels and ornate roofs. Batak houses are designed to be sturdy and durable, with the ability to withstand earthquakes and other natural disasters.

Rossa

Rossa

Rossa
Rossa Roslaina Sri Handayani, known mononymously as Rossa, is an Indonesian singer. She remains one of the most popular artists in Indonesia and Malay-speaking countries.
Rossa started singing at ten years old when she released her 1st ever album, Untuk Sahabatku in 1988. This childrens' album was produced by Dian Records. However, the album failed to gain attention.
Rossa's fame began when she released her 1st adult album Nada Nada Cinta in 1996. Then, followed by Tegar in 2000 which made Rossa's name more prominent in the Indonesian music scene. She won a MTV Indonesia Awards 2000 for "Most Favorite Female Artist". Rossa also performed in Asian music festival, My Love in Hanoi, Vietnam on October 26, 2000.
Rossa Rossa graduated from University of Indonesia, Faculty of Social and Political Science on February 2002. In the same year, she released album Kini which dominated by ballad songs. She received "Best Female Solo Artist" at Indonesian Music Awards 2002.
In 2003, Rossa released the repackage album of Kini with a new song, "Malam Pertama", composed by Melly Goeslaw. This album got Double Platinum in 2004.
At the end of 2004, Rossa released album Kembali with nine progressive-pop songs. This album spawned hit singles "Aku Bukan Untukmu" and "Pudar". This album was certified Platinum only for three months, and six months later this album got Double Platinum. Her single, "Pudar" also gained commercial success in Malaysia. Kembali was released in Malaysia on May 23, 2005 and Rossa held a show in Planet Hollywood, Kuala Lumpur, Malaysia to promote her album.
On December 2006, Rossa released her greatest-hits compilation album entitled Yang Terpilih. Rossa inserted 3 new songs, "Atas Nama Cinta", "Terlalu Cinta", and "Cinta Tak Termiliki". Yang Terpilih was released in Malaysia on May 16, 2007.
In 2008, Rossa participated in a soundtrack-album for film, Ayat Ayat Cinta, contributed the theme song "Ayat Ayat Cinta" and "Takdir Cinta". These singles gave her an Indonesian Music Awards (AMI) 2008 for "Best Pop Female Solo Artist" and a SCTV Awards 2008 for "Famous Singer". She also got an award from Anugerah Industri Muzik, Malaysia for "Best Malay Language Song Performed by Foreign Artist" for her song "Terlalu Cinta". Rossa held her 1st concert titled "Persembahan Cinta" in Jakarta Convention Center on November 26, 2008. In this concert, Rossa was helped by Indonesian famous composer, Erwin Gutawa and Jay Subiakto.
In nearly 3 years, Rossa released her self-titled album on January 14, 2009. Her 1st single, "Terlanjur Cinta", was a duet with Pasha, the vocalist of band Ungu.
On May 2, 2009, Rossa received an award from Anugerah Industri Muzik, Malaysia again for "Best Malay Language Song Performed by Foreign Artist" category. This time, the award is given for her mega hit single "Ayat-Ayat Cinta". She defeated other 4 nominated songs; "Aku Dan Dirimu" by Ari Lasso & Bunga Citra Lestari, "Matahariku" by Agnes Monica, "Bila Rasaku Ini Rasamu" by Kerispatih, and "Menjaga Hati" by Yovie & Nuno. She also had a duet performance with Faizal Tahir on that night. Both of them performed "Terlanjur Cinta" and Faizal Tahir's "Cuba".
On November 12, 2011, Rossa repeated her achievement in the 18th Anugerah Industri Muzik, Malaysia when her single "Ku Menunggu" has been awarded as the "Best Malay Language Song Performed by Foreign Artist". Rossa, who could not be present during the awards ceremony has set a new record of her own - winning the categories for the 3rd time, out of her four nominations received throughout four years.
Rossa also won the Best Female Artiste at Anugerah Planet Muzik 2011 in Singapore. At her 1st sold-out solo concert at the Esplanade, she soft-launched her duet single with Singapore Idol, Taufik Batisah entitled "Aku Bersahaja". The duet received good response from their fans in Singapore as well as in Malaysia. It topped radio charts in both countries for a couple of weeks.
As Inul Daratista done,
Family Karaoke in 2011.
Rossa also opened the 1st Diva
-

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Dewi Sandra

Dewi Sandra

Dewi Sandra
Dewi Sandra Killick, better known as Dewi Sandra, is an Indonesian singer, dancer, actress, model.
Sandra was born in Brazil on 3 April 1980. She is of mixed heritage; her father, John George Killick, was a British national and her mother, Prihartini, was Betawi. As a child, she was overweight; this led her to receive the nickname "Miss Piggy". However, she lost weight and began modeling in her teens, later recording the compilation album Menari-Nari with her fellow models.
Dewi SandraShe released her 1st solo album, Kurasakan, in 1998 to lukewarm reception. Critics objected that she was only "sell[ing] a pretty face". She then received further vocal training, after which she released Tak Ingin Lagi (Don't Want It Anymore), which was received better.
Her next album, Kuakui, was released in 2004 after three years production. The following album, 2007's Star, was more experimental. It mixed uptempo beats on some tracks with slow ballads.
The following year, Sandra became the host of the 5th season of Indonesian Idol. She also turned to acting, starring in several teen films.
Sandra released her 5th album, Wanita, not long after her divorce in 2009. A single from the album, "Kapan Lagi Bilang I Love You" ("When Will You Say I Love You Again"), was released in April, with the album following in October. One of the songs, "Satu Untuk Selamanya", discussed how happy she had been with Glenn Fredly at the beginning of their relationship.
In 2011 she was cast in her 1st sinetron, Nada Cinta (Tones of Love), as a singing teacher. She expressed surprise at the rushed nature of the filming.
Her 1st four albums were categorized with "bouncy R&B songs infused with a joyful mood". However, her 5th album, Wanita, featured more melancholic melodies.
She married actor Surya Seputra in the early 2000s; they divorced in 2005. She then married singer Glenn Fredly. He proposed to her at the National Monument and they were married in Bali on her 26th birthday. Fredly initiated divorce proceedings in April 2009. On 11 December 2011 Dewi Sandra married for 3rd time, to Agus Rahman.
She enjoys reading, becoming addicted to it after being introduced to the Harry Potter series as a teenager. She also enjoys watching movies and travelling.
Sandra admires Madonna, Oprah Winfrey, and Nelson Mandela; Madonna and Oprah for being strong, emancipated women, and Mandela for being a dedicated leader.
From 1999 to 2004, Sandra won the Panasonic Award for Best Female Presenter. In 2001, she received the Indonesian Music Award for Best R&B Album. For Him Magazine Indonesia selected Sandra as the Sexiest Female Indonesian Artist and listed her 7th on their list of the sexiest women in the world in 2004.

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The Linggadjati Agreement, also known as the Cirebon Agreement

The Linggadjati Agreement

The Linggadjati Agreement, also known as the Cheribon Agreement (or Cirebon Agreement) was a political accord concluded on 15 November 1946 by the Dutch administration and the unilaterally declared Republic of Indonesia. A small well-appointed museum in the village now known as Linggajati provides information about the history of the negotiations.
The Linggadjati Agreement, also known as the Cheribon Agreement (or Cirebon Agreement) was a political accord concluded on 15 November 1946 by the Dutch administration and the unilaterally declared Republic of Indonesia. A small well-appointed museum in the village now known as Linggajati provides information about the history of the negotiations.
Negotiations took place 11â€"12 November 1946 in Linggadjati on the slopes of the daunting Mt Ceremay around 25 km towards the south of the West Java city of Cirebon. The Dutch side was represented by Lieutenant General Governor Hubertus van Mook, the Indonesian side by Prime Minister Sutan Sjahrir.
Negotiations had begun in October 1946 and a ceasefire in Java and Sumatra was agreed to. Recognising their still weakened position following World War II, the Netherlands were more prepared to negotiate with the Republic than they were later in the Indonesian National Revolution. According to the terms of the agreement, the Netherlands agreed to recognize Republican rule over Java, Sumatra and Madura. The Republic would become a constituent state of the United States of Indonesia, which would be established by 1 January 1949 at the latest and form a Netherlands-Indonesian Union together with the Netherlands, Suriname, and the Netherlands Antilles. The Dutch Queen would remain official head of this Union.
On 25 March 1947 the Dutch House of Representatives ratified a 'stripped down' version of the treaty which was, however, not accepted by the Indonesians. Further disagreements rose over the implementation of the agreement. On 20 July 1947 the Dutch administration cancelled the accord and proceeded to commence military intervention in form of the Operatie Product, the 1st of two events known as politionele acties.
After the agreements surrounding the Linggadjati Agreement broke down there was a prolonged period of diplomatic dispute and open conflict in Indonesia for much of 1947 between the Dutch and Indonesian authorities. The United Nations Security Council established a Committee of Good Offices which led to the signing of the Renville Agreement in January 1948 on the USS Renville anchored off Jakarta.
However the Linggadjati Agreement and the Renville Agreement were at best only partially successful. Disagreements and sharp military clashes between the Dutch and the Indonesia sides continued on throughout 1948 and into 1949.


Renville Agreement

Renville Agreement

Renville Agreement
Renville Agreement
The Renville Agreement was a United Nations Security Council brokered political accord between the Netherlands who were seeking to re-establish their colony in South East Asia, and Indonesian Republicans seeking to secure Indonesian independence during the Indonesian National Revolution. Ratified on January 17, 1948, the agreement was an unsuccessful attempt to resolve the disputes that arose following the 1946 Linggadjati Agreement. It recognised a cease-fire along the so-called 'Van Mook Line'; an artificial line which connected the most advanced Dutch positions.
The agreement is named after USS Renville, the ship on which the negotiations were held while anchored in Jakarta Bay.
On 1 August 1947 an Australian resolution in the United Nations Security Council calling for a ceasefire between the Dutch and Indonesian Republican forces was passed. Dutch Lt. Governor-General Van Mook gave the ceasefire order on 5 August. On 25 August, the Security Council passed a resolution proposed by the United States that the Security Council tender its good offices to help resolve the Dutch-Indonesian dispute peacefully. This assistance would take the form of a Committee of Good Offices composed of three representatives, one appointed by the Netherlands, one by Indonesia and a third, mutually agreed by both sides. The Dutch chose a representative from Belgium, Indonesia chose one from Australia and both agreed on the US for the 3rd member. A few days later, on 29 August 1947 the Dutch proclaimed the Van Mook Line, claiming it marked the extent the areas they held as of the ceasefire. However the Dutch included areas of Indonesia the Dutch had not reentered. The republic was left with about a 3rd of Java and most of the island of Sumatra, but the republican forces were cut off from the main food growing regions. A Dutch blockade then stopped arms, food and clothing reaching the republicans.
After protracted discussions, all sides agreed to hold the talks at a neutral venue. The United States made available the troopship USS Renville, which was anchored in Jakarta Bay, and the 1st formal session of the CGO began on 8 December 1947.
The republican delegation was led by Amir Sjarifuddin, with Johannes Leimena as his deputy. On the Dutch side, the delegation was led by Jhr. Van Vredenburg, with Col. Abdulkadir Widjojoatmodjo as his deputy.
On 26 December as negotiations stalled, the CGO issued a "Christmas Message", a proposal calling for a truce with the Van Mook line as military boundary. However, Dutch forces withdrew to positions held before the July 1947 military action and the republicans would take over civilian administration upon returning to those areas. The Indonesian side accepted the proposal in its entirely, but the Dutch gave only partial agreement and put forward 12 counter proposals. Among these was a demand for free elections for people to decide their relationship with the future United States of Indonesia and for both sides to guarantee freedom of assembly and speech. The Dutch not accept troop withdrawals or Indonesian civilian administration in those areas returned to their control. The Dutch also opposed any international observation of the agreement.
On 19 December, the Dutch prime minister visited Medan and said there must be a quick resolution and that it would be "most regrettable if this last appeal, this last appeal, were not understood". Ten days later, Van Mook announced the establishment of state of East Sumatra, thus indicating that the Dutch were going ahead with the establishment of a federal state. Then on 4 January 1948, the Dutch organized a conference of representatives they had selected from 10 regions of Indonesia. These representatives agreed to form an interim federal government pending the establishment of the United States of Indonesia. The Republic of Indonesia was invited to join as minority partner.
On 9 January, the Dutch delegation said that if the Indonesian side didn't accept its proposals within three days, it would ask its government for further instructions. The CGO put forward six principles to counter the 12 from the Dutch. Among their provisions were that Dutch sovereignty would continue until transferred to the United States of Indonesia, or which the Republic of Indonesia; fair representation for each component of the provisional federal state in its government; a referendum within six months to ask people if they wanted their region to the Republic of Indonesia or the United States of Indonesia and a constitutional convention to draw up constitution. Furthermore, any state would be free to not join RIS.
The Dutch side said it would accept these proposals if the Republicans accepted them and its original 12 proposals by the 12 January deadline. After a 48-hour extension to the deadline and discussions to clarify the Dutch proposals, Dr Frank Graham, the US member of the CGO convinced the Republicans to accept, saying they could rely on the US using its influence to ensure the Dutch kept to their side of the bargain. The Indonesian side also felt that referendums in the regions would result in victory for the pro-Republicans and that they would be able to dominate the federal government. Graham also told Amir Sjarifuddin that the US would provide aid to help rebuild a free Indonesia.
Diplomatic efforts between the Netherlands and the Republic continued throughout 1948 and 1949. Political pressures, both domestic and international, hindered Dutch attempts at goal formulation. Similarly Republican leaders faced great difficulty in persuading their people to accept diplomatic concessions. By July 1948 negotiations were in deadlock and the Netherlands pushed unilaterally towards Van Mook’s federal Indonesia concept. The new federal states of South Sumatra and East Java were created, although neither had a viable support base. The Netherlands set up the Bijeenkomst voor Federaal Overleg (or Federal Consultative Assembly), a body comprising the leadership of the federal states, and charged with the formation of a United States of Indonesia and an interim government by the end of 1948. The Dutch plans, however, had no place for the Republic unless it accepted a minor role already defined for it. Later plans included Java and Sumatra but dropped all mention of the Republic. The main sticking point in the negotiations was the balance of power between the Netherlands High Representative and the Republican forces.
Mutual distrust between the Netherlands and the Republic hindered negotiations. The Republic feared a 2nd major Dutch offensive, while the Dutch objected to continued Republican activity on the Dutch side of the Renville line. In February 1948 the Siliwangi Battalion of the Republican Army, led by Nasution, marched from West Java to Central Java; the relocation was intended to ease internal Republican tensions involving the Battalion in the Surakarta area. The Battalion, however, clashed with Dutch troops while crossing Mount Slamet, and the Dutch believed it was part of a systematic troop movement across the Renville Line. The fear of such incursions actually succeeding, along with apparent Republican undermining of the Dutch-established Pasudan state and negative reports, lead to the Dutch leadership increasingly seeing itself as losing control.

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Indonesian Idol: Season 1 2

Indonesian Idol#Season 1 2

Indonesian Idol#Season 1 2
Indonesian Idol#Season 1 2
Indonesian Idol is a reality television singing competition created by Simon Fuller and produced by RCTI Production Team and FremantleMedia Asia, which began airing on RCTI on March 2004 and became one of the most popular shows in the history of Indonesian elevision. Part of the Idol franchise, it was as a spin-off from the UK show Pop Idol.
The concept of the series is to find new solo recording artists where the winner is determined by the viewers. Through telephone and SMS text voting, viewers have chosen as winners Joy Tobing, Mike Mohede, Ihsan Tarore, Rini Wulandari, Aris Runtuwene, Igo Pentury and Regina Ivanova.
The series employs a panel of judges who critique the contestants' performances. The original four judges were AMI Awards-winning jazz musician Indra Lesmana, AMI Awards-winning pop singer Titi DJ, Radio announcer and presenter Meuthia Kasim and video director Dimas Djayadiningrat. The judging panel currently consists of musician and solo singer Anang Hermansyah, musician and artist manager Ahmad Dhani and 1 person judge is still a secret identity. Other judges who have been a part of the show are television presenter Indy Barends, MTV video jockey and comedian Jamie Aditya, musician and conductor Erwin Gutawa, Indonesian Superstar Agnes Monica and hits-maker Ahmad Dhani.
The show was originally hosted by radio DJ Amelia Natasha and TV host Irgi Ahmad Fahrezy. In 2006, Daniel Mananta replaced Irgi as the main host and Dewi Sandra replaced Ata in 2008. Since 2010, Daniel Mananta was the only host for this program.
Indonesian Idol won the 2005 and 2006 Panasonic Awards for the Best Music Variety Show. It also defeated its rival, Akademi Fantasi Indosiar, known locally as AFI, but in 2004 AFI won the Best Reality Show award in Panasonic Awards 2004. Singapore Tourism Board also rewarded Indonesian Idol Season 1 by inviting the Top 11 contestants of to the American Idol World Tour there. Joy, the winner of season 1, was the opening singer of the concert.
But after the 5th season, the event was discontinued because of declining ratings, and resumed its 6th season in 2010. The 7th season was held in 2012 and rapidly became the most successful season in the history of Indonesian Idol. Originally planned to be replace by UK hit The X Factor in 2013, both shows will stiill be broadcast on every alternating year.
The show had originally four judges, namely Indra Lesmana, Titi DJ, Meuthia Kasim and Dimas Djayadiningrat aka Dimas Djay. In season three, Radio announcer and presenter Indy Barends replaced Meuthia Kasim because of Meuthia's health. Indy stayed only for one season and left the show before season four. In season four, MTV video jockey and comedian Jamie Aditya replaced Indy Barends and musician and solo singer Anang Hermansyah replaced Dimas Djay who left the panel after three seasons. In season five, Jamie left the panel and only three judges, Indra, Titi and Anang were the judges. In 2010, Indra Lesmana and Titi DJ left the panel and replaced by musician and conductor Erwin Gutawa and Indonesian Superstar Agnes Monica. And in 2012, the last season of Indonesian Idol, Anang Hermansyah and Agnes Monica return as judges, while musician and hits-maker Ahmad Dhani replaced Erwin Gutawa in the panel.
Guest judges may occasionally be introduced. In season one, guest judge was Krisdayanti. In season two, Yovie Widianto replaced Dimas Djay and Ahmad Dhani replaced Meuthia Kasim in any cities audition. In season four, in several times Titi DJ replaced by Tika Panggabean in Spectacular show. In season six, alternately Rossa, Melly Goeslaw, Ahmad Dhani, Charly Van Houten, Pasha and Armand Maulana were the guest judges in spectacular show. Guest judges were used in the audition rounds for seasons five, six and seven, such as Rio Febrian, Melly Goeslaw, Nugie, and Yovie Widianto in season five, Rossa in season six Melly Goeslaw, Ahmad Dhani, Hedy Yunus, Andien and Nina Tamam in season seven. The two season 1st was presented by Amelia Natasha aka Ata and Irgi Ahmad Fahrezy. Irgi quit after the 2nd season and replaced by Daniel Mananta. In season five, Ata left the show and replaced by pop singer Dewi Sandra. Since season six, only Daniel Mananta was the host of this show.
In a series of steps, the show selects the eventual winner out of many tens of thousands of contestants.
The eligible age-range for contestants is currently 16â€"27 years old. The initial age limit was 18â€"25 in the 1st season. The upper limit was raised to 27 in season 6, and the lower limit was reduced to 16 in season 2. The contestants must be legal Indonesia residents, and must not hold any current recording or talent representation contract by the semi-final stage.
Contestants go through at least three sets of cuts. The 1st is a brief audition with a few other contestants in front of selectors which may include one of the show's producers. The number of auditionees can exceed 10,000 people each city, but only a few hundreds in each city may make it past this round of preliminary auditions. Successful auditionees then sing in front of producers where more may be cut. Only then can they proceed to audition in front of the judges, which is the only audition stage shown on the show.
Once in Elimination, the contestants perform individually or in groups in a series of rounds. For most years there were eliminations in three rounds by the judges. In the 1st round the contestants emerged in groups but performed individually. For the next round, the contestants split themselves up into small groups and perform a song together. In the final round, the contestants perform solo with a song of their choice a cappella or accompanied by a band depending on the season. At the end of the Elimination round, 24â€"32 contestants were selected to move on to the workshop round.
From the Workshop round, the fate of the contestants is decided by public vote. During the contestant's performance as well as the recap at the end, a toll-free telephone number for each contestant is displayed on the screen. Viewers may call or send a text message to their preferred contestant's telephone number, and each call or text message is registered as a vote for that contestant. Viewers are allowed to vote as many times as they can within the two-hour voting window, however, the show reserves the right to discard votes by power dialer.
In the 1st two seasons, as well as season six, the semi-finalists were split into different groups to perform individually in their respective night. In season one, there were three groups of ten, with the top three contestants from each group making the finals. In season three until five, the girls and boys perform on separate nights and five of each were chosen. These six seasons also featured a wildcard round where contestants who failed to qualify were given another chance. In season one, two wildcard contestant were chosen by the judges, giving a total of eleven finalists. In seasons two, there were 12 contestants no wildcard. In season three, 2 contestants were chosen by wildcard.
From seasons four to seven, as well as season nine, the 24 semi-finalists were divided by gender in order to ensure an equal gender division in the top 12. The men and women sang separately on consecutive nights, and the bottom two in each groups were eliminated each week until only six of each remained to form the top 12.
There were 2 rounds of auditions which usually took place in large convention halls where thousands of people waited in line. The 1st round judges were the Sony BMG people. Those who pass the 1st round of preliminary auditions continued to audition in front of the Indonesian Idol main judges. Contestants were required to sing a cappella with poor singers often facing intense and humbling criticism from the judges. Typically the judges express disgust or dismay or suppressed laughter. Those who impress the majority of the judges, move on to the elimination round which take place in Jakarta. Usually only 150 to 170 contestants get through to the elimination round in Jakarta.
Contestants had to be Indonesian citizens. For the 1st season, contestants were required to be between the ages 18 to 24 years old. In order to increase variety, in the 2nd and 3rd season the age requirement was lowered from 18 to 16 and the upper age limit was raised from 24 to 28. As a result there were many teenagers that made it to the final 12 such as Monita and Vira from the 2nd season and also Tesa, Brinet, Christy, Ihsan, Gea and Dirly from the 3rd season. For the 5th season, the eligible age-range for contestants were 17 to 29.
There were 3 elimination rounds. In the 1st elimination round, 170 contestants from around Indonesia were separated in 17 groups of 10 contestants. In the 2nd elimination round, male and female contestants were paired and sang duets. In the last elimination round the remaining contestants sang their choice of song alone in front of the judges. The judges then inform them whether they have made it onto the stage show or not.
In the 1st season, 30 contestants were separated in groups of 10 and every week three contestants from each group were chosen to the Top 10 or The Spectacular Show. Audiences vote their favorites by SMS and Premium Calls. After 9 contestants were chosen, there was a wild card round. Only one contestant from the Wild Card round could join the 9 contestants at the Spectacular Show. Karen Theresia Pooroe won the most audience votes, advancing to the Top 10. Although the spectacular show was supposed to have a set of 10 contestants, the judges announced at the last minute that they would be advancing a 2nd wild card/eleventh contestant, Lucky Octavian, as well.
In the 2nd season, there was no Wild Card round. 24 contestants were separated into groups of 8. Every week, 4 contestants were picked to move on to the Top 12.
For the 3rd season, the workshop stage consisted of three rounds each for male and female contestants. There were 28 contestants that made it to the workshop stage on the 3rd season. In the 1st week, eight contestants were sent home. Six contestants (three males and three females) were sent home in the 2nd week, and the final workshop eliminated four more contestants (two males and two females). Before the spectacular round, pre-gala and wild card show was held. Four of the eliminated contestants were chosen by the judges and two of them, one male and one female, were given a place in the Spectacular Show based on voting result.
The 6th season saw several changes to the format of the show. There were 14 finalists instead of 12. On the Workshop round, 24 semifinalists were divided into 2 groups. Each consists of 6 male and 6 females. Four contestants of each group got voted off in the 1st and 2nd week, two in third, 4th and 5th week respectively until resulting the top 10 contestants who filled 10 of 14 spots on the Spectacular Shows. The judges selected 8 of the previously eliminated 14 semifinalists to compete in the Wild Card round. Two contestants were picked based on votes by the viewers while the other two were selected by the judges. A total of four contestants advanced to the final group of 14.
The Spectacular Show, which lasted eleven weeks, each finalist performed a song live in prime time with a weekly theme at Balai Sarbini Concert Hall in Jakarta in front of live audiences. Unlike American Idol, Indonesian Idol's Result Show is conducted about 1-hour after the Spectacular Show. For the Grand Final, the Result Show was conducted 7 days after the Grand Final. In the Result Show, some finalists who get the fewest votes are put in the bottom three or bottom two. Each week, finalist with the fewest votes is sent home. This process was repeated each week until the one remaining contestant is declared the winner.
Indonesian Idol's famous sentence for the result is Indonesia Memilih! along with a 1-minute pause and at last, the result. Every season, the two remaining finalists in the Grand Final sing a new single for the Winner's Record. The song is going to be recorded at the winner's album.

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Hubertus van Mook

Hubertus van Mook

Hubertus van Mook
Hubertus van Mook
Hubertus Johannes van Mook was a Dutch administrator in the East Indies. During the Indonesian National Revolution, he served as the Acting Governor-General of the Dutch East Indies from 1942 to 1948. van Mook also had a son named Cornelius van Mook who studied marine engineering at the Massachusetts Institute of Technology. He also wrote about Java - and his work on Kota Gede is a good example of a colonial bureaucrat capable of examining and writing about local folklore.
Hubertus van Mook was born in Semarang in Java on May 30, 1894. As with many Dutch and Indos growing up in the East Indies, he came to regard the colony particularly Java as his home. Following the Japanese conquest of Indonesia in 1942, Hubertus van Mook was appointed as Acting Governor-General by the Dutch East Indies government in exile near Brisbane, Australia. Due to his liberal inclinations and sympathies towards Indonesian nationalism, many conservative Dutch distrusted his policies and he was never given the full title of Governor-General. Due to the weakened position of the Dutch due to the Nazi invasion and occupation, much of the task of retaking the East Indies following the Japanese surrender in August 1945 was carried out by Australian and British forces. While Australian forces succeeded in occupying the Outer Islands with minimal resistance, British forces in Java and Sumatra were challenged by a nascent Indonesian Republic led by Sukarno and Hatta.
On October 1, 1945, van Mook arrived back in Java along with elements of the Netherlands Indies Civil Administration. However, their presence generated much outrage from much of the Indonesian populace who were opposed to the restoration of Dutch colonial rule. with Dutch support being limited to Christian areas like Ambon and Manado, which were at that time the chief sources of recruitment for the Royal Dutch East Indies Army. While he planned to grant independence to Indonesia, he advocated a federal Republic of the United States of Indonesia with strong political and economic ties to the Netherlands. He regarded Sukarno's Republic as economically inept and unable to ward off the Indonesian Chinese, Indonesian Indians and the rising Indonesian Communist Party.
The above factors and violations of the Linggadjati Agreement prompted the East Indies government to launch a police action in mid-1947 known as Operatie Product. The KNIL and Royal Netherlands Army occupied large areas of Java and Sumatra, with the Republican army offering only weak resistance. However, the Dutch were held back from full conquest of the Republic due to pressure from the UN Security Council and the United States, who called for a ceasefire. This led to the announcement of a ceasefire in January 1948 followed by a formal armistice. As a consequence, what was previously considered to be an internal Dutch affair now took on an international dimension.
The Renville Agreement, as the armistice was called, stipulated the withdrawal of Indonesian forces from Dutch-occupied territory and the establishment of a ceasefire boundary known as the Van Mook Line. After some time, however, the Indonesian military, secretly, returned and began guerrilla operations against the Dutch. This led to a 2nd major Dutch police action known as Operatie Kraai in December 1948.

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MTV Asia Awards

MTV Asia Awards

MTV Asia Awards
MTV Asia Awards
The biannual MTV Asia Awards is the Asian equivalent of the Europe MTV EMA. Established in 2002, the show gives recognition and awards to Asian and international icons in achievement, cinema, fashion, humanitarian, and music. Just like the EMA, most of the awards are voted for by the viewers from the Asian region.
The 2013 MTV Asia Awards trophy design is a gold-Ferris wheel.
The show was absent in 2007 and was discontinued since 2009.After 5 years,MTV Indonesia and MTV Asia corporate to held The 2013 MTV Asia Awards in October 11 on Bali,Indonesia and will be hosting by Miley Cyrus.
The 2013 MTV Asia Awards
around the world.
will be live broadcast MTV
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M is back!-
The award was dedicated
Indian Ocean earthquake.
to all victims of the 2004
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Indonesian Idol

Indonesian Idol

Indonesian Idol
Indonesian Idol
The 3rd season of Indonesian Idol aired on April 21, 2006 and concluded on August 19, 2006. Indra Lesmana, Titi DJ and Dimas Djayadiningrat all returned as judges, and Indy Barends replaced Meuthia Kasim as the 4th judge. Indy was a former host of talk show Ceriwis. VJ MTV Daniel Mananta was introduced as the new host on Indonesian Idol replacing Irgi Fahrezi.
Ihsan Tarore won the competition with Dirly Sompie as the 1st runner-up and Ghea Oktarin finishing third. It was the 2nd season to have a finale with two male contestants, with the 2nd season being the first.
The elimination rounds
2006.
were held from April 11â€"13,
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The workshop round featured 28 contestants divided by gender with the 14 male contestants singing on Fridays and the 14 female contestants on Saturdays. There were three shows each week for the three weeks of the workshop rounds.

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Anugerah Planet Muzik

Anugerah Planet Muzik

Anugerah Planet Muzik
Anugerah Planet Muzik
Anugerah Planet Muzik is the award for artists who are engaged in the music world. This award includes singers from the allied countries, that is Singapore, Malaysia and Indonesia.
The event was 1st held in 2001, and has been regularly held to date. Awards are given in various categories. There are awards aimed at covering all the countries that participate. And there are also awards intended for particular countries.

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Andi Rianto

Andi Rianto

Andi Rianto
Andi Rianto

Andi Rianto is a noted Indonesian film score composer who has worked on several of Indonesia's most popular films.

In 2002 he worked on Ca-bau-kan and in 2003 he composed for Arisan!. And in 2009, he worked on the new theme of Seputar Indonesia, the flagship news program on RCTI. Graduated in Berklee College of Music, and become a leader for a band called Magenta Orchestra.

He started with piano lesson at 4 year old. In 1990, when he was at Senior High School, his family moved to US, and he enrolled to Forest Hills High School in New York. His teachers advised him to continue his education after graduation from high school in music at Berklee.

In 1992 he passed to enter the Berklee College of Music in Boston Massachusetts USA, and he took specialization in composition and arrangement. In 1996 he graduated from Berklee with hold an Cum Laude grade.

In 1998 he returned to Indonesia, then he established the Magenta Orchestra and the Deluxe Simphony in Jakarta.

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